Brian Donlevy
Paul Madvig
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The Glass Key is a 1942 American film noir based on the 1931 novel of the same name by Dashiell Hammett. The picture was directed by Stuart Heisler starring Brian Donlevy , Veronica Lake and Alan Ladd (who plays the actual lead despite being billed third).
Jul 13, 2021 · A successful earlier film version starring George Raft in Ladd's role had been released in 1935. The 1942 version’s supporting cast features William Bendix, Bonita Granville, Richard Denning and Joseph Calleia. You can find out more about this movie from Wikipedia. A detailed article from online blog Film Noir Board may still be available.
- 85 min
- 17K
- Enid Montague508
The Glass Key: Directed by Stuart Heisler. With Brian Donlevy, Veronica Lake, Alan Ladd, Bonita Granville. A crooked politician finds himself being accused of murder by a gangster from whom he refused help during a re-election campaign.
- (7.5K)
- Crime, Drama, Film-Noir
- Stuart Heisler
- 1942-10-23
The Glass Key (1942), a complicated tale of political corruption and murder, centers on a nonchalant political boss from the wrong side of the tracks, Paul Madvig (Brian Donlevy), who backs a reform candidate for Governor, partly because he is in love with the candidate's daughter (Veronica Lake). He closes down a local gangster's casino ...
- Stuart Heisler, Art Black
- Brian Donlevy
Together with Hammett's 1929 novel Red Harvest, The Glass Key provided inspiration for the Coen brothers' 1990 film Miller's Crossing. [8] The 1942 film adaptation appears briefly in the season 2 finale of the show Bosch during a conversation between Bosch and the detective on his mother's murder case. The book is a major reference point in the ...
- Dashiell Hammett
- 1931
Stuart Heisler's crime drama film noir The Glass Key (1942) is so strangely complicated in ways I cannot even imagine how everyone just allowed the movie to be released like this, honestly.
- (9)
- Crime, Drama
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The second pairing of Alan Ladd and Veronica Lake, Stuart Heisler’s The Glass Key is an extraordinary example of early film noir with the added benefit of Paramount’s sophisticated style and high production values: take note of the extravagant sets from the highest levels of society (the rococo dining room “nook” in the Henry household) to the lowest (the scummy bar and upper chamber ...
