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  1. Monolith
    R2024 · Science fiction · 1h 35m

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  1. Monolith is a 2016 thriller film directed by Ivan Silvestrini starring Katrina Bowden, Damon Dayoub and Brandon Jones.. The film was conceived by cartoonist Roberto Recchioni, who began a version of the film in the form of a graphic novel for Sergio Bonelli Editore, written together with Mauro Uzzeo and drawn and colored by Lorenzo Ceccotti, incorporating the film’s costume designs by Anina ...

  2. A thriller about a disgraced journalist investigating a conspiracy theory that involves her own family. Watch the trailer, read critics reviews and ratings, and rent or buy Monolith on Prime Video.

    • (57)
    • Matt Vesely
    • R
    • Lily Sullivan
  3. Monolith is a 2022 Australian science-fiction thriller film directed by Matt Vesely from a script written by Lucy Campbell, and produced by Bettina Hamilton. Described as high-concept science fiction, it stars Lily Sullivan , the only on-screen actor in the film, as a journalist uncovering a mystery.

  4. Dec 5, 2017 · Monolith: Directed by Ivan Silvestrini. With Katrina Bowden, Krew Hodges, Nixon Hodges, Damon Dayoub. A mother and her son plan a surprise visit to Los Angeles to see her husband/his father.

    • (2.6K)
    • Drama, Thriller
    • Ivan Silvestrini
    • 2017-12-05
  5. Feb 16, 2024 · A journalist podcasts about a mysterious artifact that may be an alien conspiracy. Monolith is a low-budget Australian film with a single location and one on-screen character, directed by Matt Vesely and written by Lucy Campbell.

    • (2.4K)
    • Drama, Mystery, Sci-Fi
    • Matt Vesely
    • 2024-02-16
  6. Feb 16, 2024 · A journalist investigates a global mystery involving black bricks that contain symbols and cause illness and visions. The movie explores the possibility of aliens, mental illness, or both, and leaves the ending open to interpretation.

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  8. Feb 16, 2024 · Some of our heroine’s choices as the film raises the stakes feel a bit unbelievable, but that can be forgiven given the single-setting, single-performer restrictions of the piece. In the end, the goal was clearly to trap us in the increasingly fractured mind of a single person who increasingly believes what is beyond believable.

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