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  1. The Last Picture Show

    The Last Picture Show

    R1971 · Drama · 1h 58m

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  1. The Last Picture Show is a 1971 American coming-of-age drama film directed and co-written by Peter Bogdanovich, adapted from the semi-autobiographical 1966 novel The Last Picture Show by Larry McMurtry. The film's ensemble cast includes Timothy Bottoms, Jeff Bridges, Ellen Burstyn, Ben Johnson, Cloris Leachman, and Cybill Shepherd.

  2. Oct 22, 1971 · The Last Picture Show: Directed by Peter Bogdanovich. With Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ben Johnson. In 1951, a group of high schoolers come of age in a bleak, isolated, atrophied North Texas town that is slowly dying, both culturally and economically.

  3. The Last Picture Show is a ground-breaking coming-of-age drama released in 1971. The movie was directed and co-written by Peter Bogdanovich. The story takes place in a small Texas town in the...

    • (116)
    • Drama
    • R
  4. Jul 4, 2004 · In high school., a valiant English teacher ( John Hillerman) reads from Keats that truth is beauty and beauty is truth, but truth and beauty seem remote from their lives, and the most wonderful thing that happens to Sonny is that Ruth ( Cloris Leachman ), the 40-ish wife of the football coach, takes him to her bed and treats him fondly.

  5. Summaries. In 1951, a group of high schoolers come of age in a bleak, isolated, atrophied North Texas town that is slowly dying, both culturally and economically. In tiny Anarene, Texas, in the lull between World War Two and the Korean Conflict, Sonny and Duane are best friends. Enduring that awkward period of life between boyhood and manhood ...

  6. One of the key films of the American seventies cinema renaissance, The Last Picture Show is set in the early fifties, in the loneliest Texas nowheresville to ever dust up a movie screen. This aching portrait of a dying West, adapted from Larry McMurtry’s novel, focuses on the daily shuffles of three futureless teens—enigmatic Sonny (Timothy ...

  7. "The Last Picture Show" has been described as an evocation of the classic Hollywood narrative film. It is more than that; it is a belated entry in that age -- the best film of 1951, you might say.

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