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  1. www.imdb.com › title › tt0104658L.627 (1992) - IMDb

    Sep 9, 1992 · L.627: Directed by Bertrand Tavernier. With Didier Bezace, Jean-Paul Comart, Charlotte Kady, Jean-Roger Milo. Relentless struggle of the Parisian police against the drug trade.

    • (2.2K)
    • Crime, Drama, Thriller
    • Bertrand Tavernier
    • 1992-09-09
  2. en.wikipedia.org › wiki › LL.627 - Wikipedia

    L.627 is a 1992 French film directed by Bertrand Tavernier. Plot [ edit ] Lucien Marguet, nicknamed "Lulu" is an investigator of the second class in the judicial police in the Paris head office.

  3. Tightly wound Parisian narcotics officer Lucien "Lulu" Marguet (Didier Bezace) teeters on the brink of job-related burnout despite his desire to wipe out the city's drug dealers. His bureaucracy ...

    • (16)
    • Bertrand Tavernier
    • Drama
    • Didier Bezace
  4. Jul 15, 1994 · In Paris, Lulu, a passionate policeman, works with the faith of a rookie, despite the sclerotic bureaucracy and the incompetence or negligence of some of his colleagues. In his new position as a narcotics inspector, he tries to keep his sanity as he witnesses the worst of the human condition. Bertrand Tavernier.

  5. L.627. Lulu is a tough streetwise narcotics cop who thrives in this violent world, where sheer guts can overcome his squad’s deficiencies of money and equipment. Despite the ruthless environment that he lives and works in every day, he still manages somehow to maintain his humanity. 104 2 h 20 min 1994. 18+. Drama · Suspense. This video is ...

  6. L.627. Directed by Bertrand Tavernier • 1992 • France. Starring Didier Bezace, Jean-Paul Comart, Charlotte Kady. This absorbing, unfailingly naturalistic procedural goes inside the world of the Parisian police department as it struggles to control the drug trade. Through the eyes of Lucien Marguet (Didier Bazace)—an ultradetermined ...

  7. L.627 is both absurdist and yet deeply nihilistic. It's also very, very long. On one hand, probably longer than it needs to be for such a loose storyline but, at the same time, I appreciate Bertrand Tavernier uses the length to create a whole world, rather than a plot.

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