Boris Karloff
Prof. Marcus Monserrat
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The Sorcerers is a 1967 British science fiction/horror film directed by Michael Reeves, starring Boris Karloff, Catherine Lacey, Ian Ogilvy, and Susan George. The original story and screenplay were by John Burke.
The Sorcerers: Directed by Michael Reeves. With Boris Karloff, Elizabeth Ercy, Ian Ogilvy, Victor Henry. An aging hypnotist creates a device that allows the user to control the mind of another person, but his wife abuses its power by manipulating a younger man to commit evil acts.
Nov 23, 2016 · The Sorcerers (1967) stars 79 year-old horror icon Boris Karloff in one of his last fully ambulatory roles; while shooting Peter Bogdanovich's Targets (1968) later that same year, the actor was significantly more limited in his movements and by The Crimson Cult (US: Curse of the Crimson Alter, 1968) he was confined to the wheelchair in which he ...
The Sorcerers (1967) cast and crew credits, including actors, actresses, directors, writers and more.
A professor (Boris Karloff) and his wife (Catherine Lacey) can feel the sensations of a mod British teen (Ian Ogilvy) whose mind they control.
- (13)
- Horror
Sep 10, 2012 · The story, adapted from John Burke's novel, follows an ageing couple, the Monserrats (Karloff and Lacey), who have devised a contraption that allows them to control the minds of others and ...
Boris Karloff stars as Professor Montserrat, a expert hypnotist who has developed a way to entrance a subject and share their sensory experiences while they are under his influence.
Boris Karloff is at his mesmerizing best in this hypnotic chiller costarring Catherine Lacey (The Lady Vanishes) and directed by Michael Reeves (Witchfinder General). A...
Overview. The great hypnotist Professor Montserrat has developed a technique for controlling the minds, and sharing the sensations, of his subjects. He and his wife Estelle test the technique on Mike Roscoe, and enjoy 'being' the younger man.
1967's The Sorcerers is a genuinely terrifying film, one which portrays the era's much maligned youth culture with sympathy, while also engaging with the humanity and needs of people almost always marginalized or infantilized in mainstream cinema: the elderly, particularly elderly women.
