Ad
related to: The Exorcist IIIRead Customer Reviews & Find Best Sellers. Free 2-Day Shipping w/Amazon Prime.
Search results
- / People Also Search for
- R1990 · Horror · 1h 50m
The Exorcist III is a 1990 American supernatural horror film written for the screen and directed by William Peter Blatty, based on his 1983 novel Legion. It is the third installment in The Exorcist film series , and the final installment in Blatty's "Trilogy of Faith" after The Ninth Configuration (1980).
Aug 17, 1990 · The Exorcist III: Directed by William Peter Blatty. With George C. Scott, Ed Flanders, Brad Dourif, Jason Miller. A police lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased Gemini serial killer, leads him to question the patients of a psychiatric ward.
- (39K)
- Drama, Horror, Mystery
- William Peter Blatty
- 1990-08-17
Oct 25, 2016 · The Exorcist III: Legion: Directed by William Peter Blatty. With George C. Scott, Ed Flanders, Brad Dourif, Scott Wilson. William Peter Blatty's director's cut of "The Exorcist III" which was thought to be lost.
- (1.4K)
- Horror, Mystery, Thriller
- William Peter Blatty
- 2016-10-25
People also ask
Who starred in the Exorcist 3?
Is the Exorcist 3 a good movie?
When was The Exorcist 3 released?
Is the Exorcist 3 based on a true story?
The Exorcist III is a talky, literary sequel with some scary moments that rival anything from the original. Police Lt. Kinderman (George C. Scott) notices similarities between his current murder ...
- (46)
- William Peter Blatty
- R
- George C. Scott
The Gemini possesses an old woman, who makes a failed attempt to murder Julie, Kinderman's daughter. The possessed patient attacks Kinderman, but the attack abruptly ends when a priest, Father Paul Morning (Nicol Williamson), enters the corridor leading to cell 11 and attempts an exorcism on the patient. It goes wrong when Pazuzu intervenes ...
Aug 17, 2020 · In a surprising move for a 1990s horror film, The Exorcist III features relatively little gore, and it still manages to be utterly terrifying. The film takes more of a David Fincher-styled approach to horror, using noir tropes and filmmaking sensibilities to manipulate the audience’s imagination and build and maintain tension.