Winter Light
1963
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Jul 24, 2008 · The great subject of the cinema, Ingmar Bergman believed, is the human face. He'd been watching Antonioni on television, he told me during an interview, and realized it wasn't what Antonioni said that absorbed him, but the man's face. Bergman was not thinking about anything as simple as a closeup, I believe. He was thinking about the study of the face, the intense gaze, the face as window to ...
Through a Glass Darkly was released to positive reviews, specifically for Andersson's performance, and won the Academy Award for Best Foreign Language Film. It was followed by Bergman's thematically related 1963 films Winter Light and The Silence .
Jan 10, 2018 Full Review TIME Magazine Through a Glass Darkly is one of the best and certainly the ripest of Ingmar Bergman's creations, a film as subtle as Wild Strawberries but solider in substance.
- (29)
- Svensk Filmindustri (SF) AB
- Ingmar Bergman
- Drama
Through a Glass Darkly: Directed by Ingmar Bergman. With Harriet Andersson, Gunnar Björnstrand, Max von Sydow, Lars Passgård. Recently released from a mental hospital, Karin rejoins her emotionally disconnected family in their island home, only to slip from reality as she begins to believe she is being visited by God.
- (27K)
- Drama
- Ingmar Bergman
- 1961-10-16
Through a Glass Darkly is one of the best and certainly the ripest of Ingmar Bergman's creations, a film as subtle as Wild Strawberries but solider in substance. Full Review | Jul 23, 2013.
Aug 18, 2003 · W atching Ingmar Bergman’s 1961 Through a Glass Darkly now, you’re carried back to a golden era that was also an ice age. The year before, Michelangelo Antonioni’s drifting, elliptical masterpiece L’Avventura had been booed at the Cannes Film Festival; three years later, Carl Theodor Dreyer’s Gertrud would receive still worse treatment on its Paris premiere––an episode compared ...
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Through a Glass Darkly. While vacationing on a remote island retreat, a family finds its fragile ties tested when daughter Karin (an astonishing Harriet Andersson) discovers her father (Gunnar Björnstrand) has been using her schizophrenia for his own literary ends. As she drifts in and out of lucidity, Karin’s father, her husband (Max von ...
