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      • Low on plot but high on charm and personality, “Next Stop Wonderland ” is a sly, hand-crafted indie that is very alive and attentive to its characters’ feelings and foibles.
      variety.com › 1998 › film
  1. 73% Tomatometer 45 Reviews 74% Audience Score 2,500+ Ratings Boston residents nurse Erin Castleton (Hope Davis) and marine biology student Alan Monteiro (Alan Gelfant) don't know each another,...

    • (46)
    • Brad Anderson
    • R
    • Hope Davis
  2. Next Stop Wonderland Reviews. All Critics. Top Critics. All Audience. Verified Audience. Craig D. Lindsey Crooked Marquee. It’s easy to see why Weinstein wanted this Wonderland. It’s a...

  3. Aug 21, 1998 · Next Stop Wonderland: Directed by Brad Anderson. With Hope Davis, Philip Seymour Hoffman, Callie Thorne, Ken Cheeseman. An unlucky in love nurse finds her life taking a detour when her mother places a personals ad in the paper, while on the other side of Boston, a plumber is trying to change careers.

    • (5.1K)
    • Comedy, Drama, Romance
    • Brad Anderson
    • 1998-08-21
  4. Aug 21, 1998 · Next Stop Wonderland. Metascore Generally Favorable Based on 19 Critic Reviews. 71. User Score Mixed or Average Based on 4 User Ratings. 4.8.

    • (19)
    • Brad Anderson
    • R
    • Hope Davis
  5. NEXT STOP WONDERLAND Rating: "Next Stop, Wonderland" is rated R (Under 17 requires accompanying parent or adult guardian). It has some strong language and sexual situations.

  6. "Next Stop Wonderland" is a lovely, very underrated indie romantic comedy, co-written and directed by Brad Anderson ("Happy Accidents", "The Machinist"). The always wonderful Hope Davis stars as Erin, a nurse from Boston who's dumped by her boyfriend, Sean (Philip Seymour Hoffman).

  7. Details. 71. Metascore Generally Favorable. positive. 16 (84%) mixed. 3 (16%) negative. 0 (0%) Showing 19 Critic Reviews. 90. Los Angeles Times. Smart and beguiling, it manages the impressive feat of believing wholeheartedly in the power of love without checking its mind at the door. Read More. By Kenneth Turan FULL REVIEW. 90. The New Yorker.

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