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  1. Box office. $48.5 million. Magnolia is a 1999 American drama film written, directed and co-produced by Paul Thomas Anderson. It stars an ensemble cast, including Jeremy Blackman, Tom Cruise, Melinda Dillon, Philip Baker Hall, Philip Seymour Hoffman, Ricky Jay, William H. Macy, Alfred Molina, Julianne Moore, John C. Reilly, Jason Robards (in his ...

  2. Jan 7, 2000 · Magnolia is a three-hour epic mosaic of interrelated characters in search of love, forgiveness and meaning in the San Fernando Valley. The film features Tom Cruise, Julianne Moore, Philip Seymour Hoffman and others, and explores themes of coincidence, causation, death and redemption.

    • (329K)
    • Drama
    • Paul Thomas Anderson
    • 2000-01-07
  3. Nov 27, 2008 · A film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. The review analyzes the themes, characters, and coincidences of Paul Thomas Anderson's 1999 masterpiece, and praises its wisdom and sympathy.

  4. Roger Ebert Chicago Sun-Times Magnolia is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic ...

    • (216)
    • Paul Thomas Anderson
    • R
    • Jason Robards
  5. Aug 5, 2013 · Magnolia (1999) Official Trailer #1 - Paul Thomas Anderson Movie - YouTube. Rotten Tomatoes Classic Trailers. 1.66M subscribers. Subscribed. 6.2K. 1.2M views 10 years ago. Subscribe to TRAILERS:...

    • Aug 5, 2013
    • 1.2M
    • Rotten Tomatoes Classic Trailers
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  7. Summaries. An epic mosaic of interrelated characters in search of love, forgiveness and meaning in the San Fernando Valley. 24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad.

  8. Jan 7, 2000 · Magnolia is a melodramatic and operatic film that interweaves several stories of people in Los Angeles, linked by coincidence, emotion and TV. Ebert praises its ambition, exuberance and themes of fate, death and redemption.

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