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Donald Brochu is an American film editor. [1] Career. After assisting in the editing of a Cheech and Chong film in 1981 and 1982, Don Brochu was given an opportunity by Hal Ashby to be in charge of the editing himself.
- The Story Went Through A Lot of Drafts, Including Some Ridiculous ones.
- It Was Almost Alec Baldwin Instead of Harrison Ford.
- It Seems Like Nobody Involved Had Ever Watched The Show.
- That's A Real Train Hitting A Real Bus.
- The Chase Through The St. Patrick's Day Parade Was Real.
- It Was Filmed in A Hospital, and in A School Posing as A Hospital.
- Tommy Lee Jones Made Up A Lot of His Own Dialogue.
- Harrison Ford Wasn't Faking His Befuddlement in The Interrogation Scene.
- It Ended Up Being A Rush Job.
- A Lot of Editors Got Credited—And The Academy Was OK with it.
It was a five-year process during which nine writers wrote "at least 25 different screenplays," according to producer Arnold Kopelson. (This might be one of those stories that gets bigger each time it's told. The week the film was released, Kopelson said it was eight writers and 14 drafts. But still.) No surprise—the movie was to be based on a TV s...
Kopelson, a fan of the TV series, had been trying off and on to get the film made since the 1970s. It was finally about to happen in the early '90s, with Alec Baldwin in the lead role and Walter Hill (48 Hrs.) as director, but Warner Bros. didn't think Baldwin had enough star power. "With an expensive movie, the consideration is, what star can 'ope...
Except for producer Kopelson, anyway. Harrison Ford said he'd never seen it. Andrew Davis, the director, said, "You know, it was the '60s, and I was into other things besides watching television." Tommy Lee Jones made similar comments. Maybe that's a lesson for successfully turning a TV series into a movie: Don't be too attached to the source mater...
No miniatures. Twenty-seven cameras (according to Davis). One take. (Ford jumping free from it was a superimposed image, of course.) It was filmed in Sylva and Dillsboro, North Carolina, where the wreckageis now a tourist attraction.
Rather than try to stage a fake one, Davis used Chicago's actual St. Patrick's Day parade as the setting for part of Kimble and Gerard's cat-and-mouse game. Without rehearsal, Ford and Jones just went out into the crowd and did their thing, with camera operators running around trying to keep up. Ford observed that since his character was keeping a ...
They were able to shoot some of the hospital scenes in a real hospital in Sylva, North Carolina, while others were filmed in a nearby elementary school whose hallways were dressed to look like a hospital. Apparently old schools and old hospitals look a lot alike.
The film began shooting before the script was complete, with writer Jeb Stuart on the set to come up with new material as needed. That left the door open for the actors to suggest their own ideas, which Jones was happy to do. "Think me up a cup of coffee and a chocolate donut with some of those little sprinkles on top" was his contribution, as was ...
To lend more realism to the scene where Dr. Kimble is first questioned by police, Davis had Ford and the other actors do it with only half a script—the cops' half. Ford, not knowing in advance what the questions would be, had to ad lib responses in character. Naturally, this came across as being defensive and flustered, which was exactly what the s...
Kopelson spent all those years trying to get the project going—and then once it got going, it had to be done fast. Shooting began in February 1993, six months before the scheduled release date. (Warner Bros. really wanted the film by the end of the summer.) The shoot itself was sufficient; it was the pre- and post-production schedules that were sho...
Six men ended up being officially credited as the film's editors: Dennis Virkler, David Finfer, Dean Goodhill, Don Brochu, Richard Nord, and Dov Hoenig. When it received an Oscar nomination for Best Editing, that was the mostnames that category had ever included. (It’s almost unheard of for any film to have more than three editors, let alone a film...
Jul 29, 2023 · Don Brochu (Editor): Steven Seagal was locked in a refrigerator for about a third of that movie. And if you saw it, you know how intense Tommy Lee Jones was in that role.
Don Brochu is known for The Fugitive (1993), Volcano (1997) and Chain Reaction (1996). Add photos, demo reels. Add to list. Nominated for 1 Oscar. 1 win & 6 nominations total. Known for. The Fugitive. 7.8. Editor (edited by) 1993. Volcano. 5.5. Editor (edited by) 1997. Chain Reaction. 5.6. Editor. 1996. Blast from the Past. 6.7. Editor. 1999.
- Editor, Editorial Department, Producer
- 1 min
Nov 21, 2023 · Peter Sobczynski | 2023-11-21. An interview with legendary Chicago filmmaker Andrew Davis about the making of The Fugitive, his directorial debut Stony Island, and going to college with Roger. Don Brochu movie reviews & film summaries | Roger Ebert.
Jul 1, 2000 · by Charles B. Unger. Picture Editor Don Brochu, sound effects supervisor Bruce Stambler and music editor Chris Ledesma joined forces for this fireside chat that focused on collaboration and the importance of sound.
Don Brochu is known as an Editor, Actor, Assistant Editor, and Additional Editor. Some of his work includes The Fugitive, High School Musical 3: Senior Year, Descendants, Tootsie, Descendants 2, Under Siege, Volcano, and Descendants 3.
