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Sir David Rippon Hare (born 5 June 1947) FRSL is an English playwright, screenwriter and theatre director. Best known for his stage work, Hare has also enjoyed great success with films, receiving two Academy Award nominations for Best Adapted Screenplay for writing The Hours in 2002, based on the novel written by Michael Cunningham , and The ...
David Hare, British playwright, screenwriter, and director noted for his deftly crafted satires examining British society in the post-World War II era. He wrote such plays as Plenty and The Blue Room, and his film work included screenplay adaptations of The Hours and The Reader. Learn more about Hare’s life and work.
- The Editors of Encyclopaedia Britannica
David Hare is an English playwright. He is known for his theatrical works including his acclaimed plays Pravda (1985), The Absence of War (1993), Skylight (1995), Amy's View (1997), and The Judas Kiss (1998). He is also known for his works on film and television. His famous film credits include Plenty (1985), The Hours (2002), and The Reader ...
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7 Photos. David Hare was born on 5 June 1947 in Sussex, England, UK. He is a writer and director, known for The Hours (2002), The Reader (2008) and Wetherby (1985). He has been married to Nicole Farhi since 1992. He was previously married to Margaret Matheson. More at IMDbPro.
- January 1, 1
- 1.92 m
- Sussex, England, UK
Oct 31, 2022 · The biggest surprise of “Straight Line Crazy,” David Hare’s new play about the tsarist urban planner Robert Moses, is that it originated in London, where it received good reviews, earlier...
- Vinson Cunningham
David Hare is an English playwright, screenwriter and theatre and film director. Best known for his stage work, Hare had also great success with films, receiving two Academy Award nominations for Best Adapted Screenplay for writing The Hours (2002) in 2002, based on the novel written by Michael Cunningham, and The Reader (2008) in 2008, based ...
Critical perspective. David Hare, who arrived on the playwriting scene in the watershed year of 1968, is a dedicated social commentator. His plays, in spite of occasional excursions into the Third World, offer a richly comprehensive portrait of contemporary Britain and its institutions.
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