Joel Fry
Hal Fine
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Episode Guide
- 1. Matilda Feb 2, 2018
- A strange discovery sends Matilda Gray on a quest to learn more about her family's past.
- 2. The Blue Room Feb 9, 2018
- As Matilda looks into a disappearance, the locals make it known that she is not welcome in town.
- 3. The Necklace Feb 16, 2018
- Matilda confronts Rose; Trudy opens up to Matilda about her history with Carys.
1. : a mass for the dead. 2. a. : a solemn chant (such as a dirge) for the repose of the dead. b. : something that resembles such a solemn chant. 3. a. : a musical setting of the mass for the dead. b. : a musical composition in honor of the dead. Synonyms. dirge. elegy. lament.
A Requiem (Latin: rest) or Requiem Mass, also known as Mass for the dead (Latin: Missa pro defunctis) or Mass of the dead (Latin: Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal.
Mar 5, 2009 · Requiem Mass in D Minor Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna.
The Requiem in D minor, K. 626, is a Requiem Mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year.
Wolfgang Amadeus Mozart: Requiem in D minor (K.626) -- Live Version. I. Introitus: Requiem aeternam (choir with soprano solo) ( 0:00 ) II. Kyrie (choir) ( 5:28 ) III.
Requiem, requiem mass by Giuseppe Verdi, intended as a memorial to a departed hero—the poet, playwright, and novelist Alessandro Manzoni. Requiem premiered in Milan on May 22, 1874. It is Verdi’s largest-scale nonoperatic work.
The Messa da Requiem is a musical setting of the Catholic funeral mass for four soloists, double choir and orchestra by Giuseppe Verdi. It was composed in memory of Alessandro Manzoni , whom Verdi admired, and therefore also referred to as the Manzoni Requiem .
