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  1. The Gloaming
    The Watcher: Season 1, Episode 6

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  1. Oct 16, 2022 · The Watcher. The Gloaming. Season 1 Episode 6. Editor’s Rating ** « Previous Next » Photo: Eric Liebowitz/Netflix. Do you feel like our show is barreling toward a juicy conclusion? I worry...

  2. Oct 13, 2022 · This recap of The Watcher season 1, episode 6, “The Gloaming”, contains spoilers. Following on directly from the end of the previous episode, as well it should, “The Gloaming” opens with Dean and Nora pursuing the mysterious figure through the tunnel beneath their house.

    • Naomi Watts
    • Jonathon Wilson
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  4. Oct 18, 2022 · 18 October 2022 by Arnav Srivastava. The Gloaming. After the frenetic discovery last time out, episode 6 of The Watcher continues behind Dean and Nora as they chase the black shadow escaping from them. Nora is apprehensive and keeps pulling Dean back. The tunnel keeps on getting deeper as Dean finally feels the answers are near.

  5. Starring: Naomi Watts, Bobby Cannavale, Jennifer Coolidge. Creators: Ryan Murphy, Ian Brennan. Watch all you want. JOIN NOW. Bobby Cannavale and Naomi Watts star in this eerie ensemble drama based on a true story from Ryan Murphy and Ian Brennan. Videos. The Watcher. Season 1 Trailer: The Watcher. Episodes. The Watcher. Season 1.

    • 2022
    • October 13, 2022
    • 3 min
  6. The Gloaming Aired Oct 13, 2022 Drama Horror Mystery & Thriller Reviews Dean and Nora find a hidden room where someone's been living; Theodora shares intriguing information about Roger Kaplan;...

  7. This Episode begins with Dean and Nora, they follow The Watcher in the tunnel. Chamberland stops helping Dean and Nora to find The Watcher. Theodora tells the story about the Flanagan family, who got stalked by The Watcher. Dean and Nora confronted Roger Kaplan. Roger threatens Carter with a gun, but it was all just Dean's nightmare.

  8. The Watcher is an American mystery thriller television series created by Ryan Murphy and Ian Brennan for Netflix. [3] It premiered on October 13, 2022. [4] It is loosely based on a 2018 article by Reeves Wiedeman for New York magazine's website The Cut.

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