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Beryl Korot (born September 17, 1945) is an American visual artist. Her practice includes video installation, weaving, paper tapestries, digital embroidery, and drawings. Korot is a pioneer of video art, and of multiple channel work in particular.
Korot was the cofounder and coeditor of Radical Software (1970–74), the first publication to discuss the technical and formal possibilities of the new medium of video, and she coedited Video Art: An Anthology (1976). She graduated from Queens College in 1967 with a BA in English literature.
A pioneer of video art and multi-channel works, Beryl Korot created Dachau 1974 in 1974, documenting the former Nazi concentration camp through black-and-white footage and sound. The work explores the role of images and mediating technologies in processing sites of trauma and the relationship between weaving and video editing.
Beryl Korot is a pioneer of video art, and of multiple channel work in particular. By applying specific structures inherent to loom programming to the programming of multiple channels she brought the ancient and modern worlds of technology into conversation.
Learn about Beryl Korot, a pioneer of video art and a collaborator with composer Steve Reich. Explore her works that explore themes of history, culture, and technology, such as Dachau 1974 and The Cave.
Nov 13, 2017 · Glenn D. Lowry, 2019 Hardcover, 424 pages. Buy from the Design Store. Licensing. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact.
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Beryl Korot Text and Commentary 1976-77. Not on view. Text and Commentary established a dialogue between traditional weaving techniques and the nascent medium of video, both of which are rooted in the encoding and transmission of information.