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1. en.wikipedia.org › wiki › Beryl_KorotBeryl Korot - Wikipedia

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   Beryl Korot (born September 17, 1945) is an American visual artist. Her practice includes video installation, weaving, paper tapestries, digital embroidery, and drawings. Korot is a pioneer of video art, and of multiple channel work in particular.

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3. art21.org › artist › beryl-korotBeryl Korot | Art21

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   Korot was the cofounder and coeditor of Radical Software (1970–74), the first publication to discuss the technical and formal possibilities of the new medium of video, and she coedited Video Art: An Anthology (1976). She graduated from Queens College in 1967 with a BA in English literature.

4. www.metmuseum.org › art › collectionBeryl Korot | Dachau 1974 | The Metropolitan Museum of Art

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   A pioneer of video art and multi-channel works, Beryl Korot created Dachau 1974 in 1974, documenting the former Nazi concentration camp through black-and-white footage and sound. The work explores the role of images and mediating technologies in processing sites of trauma and the relationship between weaving and video editing.

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     Beryl Korot: "Dachau, 1974" | Art21 "Extended Play"

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     Beryl Korot - Alchetron, The Free Social Encyclopedia

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     Beryl Korot, "Text and Commentary," 1976-1977

     Mar 6, 2012

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6. bitforms.art › artist › beryl-korotBeryl Korot - bitforms gallery

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   Beryl Korot is a pioneer of video art, and of multiple channel work in particular. By applying specific structures inherent to loom programming to the programming of multiple channels she brought the ancient and modern worlds of technology into conversation.

7. jwa.org › encyclopedia › articleBeryl Korot | Jewish Women's Archive

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   Learn about Beryl Korot, a pioneer of video art and a collaborator with composer Steve Reich. Explore her works that explore themes of history, culture, and technology, such as Dachau 1974 and The Cave.

8. www.moma.org › artists › 35522Beryl Korot | MoMA

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   Nov 13, 2017 · Glenn D. Lowry, 2019 Hardcover, 424 pages. Buy from the Design Store. Licensing. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact.

9. People also ask

   Where do Beryl Korot and Steve Reich live?

   • Beryl Korot and Steve Reich live and work in Vermont and New York City. Beryl Korot has received grants from the National Endowment for the Arts (1975, 1977, 1979), the New York State Council on the Arts (1973–74, 1978), and the Creative Artists Public Service Fund (1972, 1975 and 1978).

   Beryl Korot | Jewish Women's Archive

   jwa.org/encyclopedia/article/korot-beryl

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   Who is Beryl Korot?

   • Beryl Korot has pioneered the field of video art since the early 1970s, multiple channel work in particular. She was co-editor of Radical Software (1970), the first publication to discuss the possibilities of the new video medium, and Video Art (Harcourt, Brace, Jovanovich, 1976) with Ira Schneider.

   Beryl Korot - Wikipedia

   en.wikipedia.org/wiki/Beryl_Korot

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   What are the dimensions of Beryl Korot?

   • Beryl Korot. Text and Commentary. 1976-77. Five-channel video (black and white, sound; 30 min.), weavings, drawings, and pictographic video notations. Sheet (6 Pictograms, each): 22 × 16" (55.9 × 40.6 cm) Sheet (5 Drawings, each): 19 1/2 × 23" (49.5 × 58.4 cm) Overall installation: dimensions variable.

   Beryl Korot. Text and Commentary. 1976-77 | MoMA

   www.moma.org/collection/works/191231

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   What is Korot's contribution to video art?

   • Korot is a pioneer of video art, and of multiple channel work in particular. By applying specific structures inherent to textile loom programming to the programming of multiple video channels, she brought the ancient and modern worlds of technology into conversation.

   Beryl Korot - Wikipedia

   en.wikipedia.org/wiki/Beryl_Korot

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10. www.moma.org › collection › worksBeryl Korot. Text and Commentary. 1976-77 | MoMA

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    Beryl Korot Text and Commentary 1976-77. Not on view. Text and Commentary established a dialogue between traditional weaving techniques and the nas­cent medium of video, both of which are rooted in the encoding and transmission of infor­mation.