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1. en.wikipedia.org › wiki › Lorenzo_di_CrediLorenzo di Credi - Wikipedia

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   Lorenzo di Credi (1456/59 – January 12, 1537) was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects, and portraits. With some excursions to nearby cities, his whole life was spent in Florence.

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3. www.nga.gov › collection › artist-infoLorenzo di Credi - National Gallery of Art

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   Lorenzo di Credi was a Florentine painter and Verrocchio's heir, who painted mainly devotional and portrait works. He was also a member of the committee that decided the placement of Michelangelo's David and died in 1536.

4. www.italianartsociety.org › 2018 › 09Lorenzo di Credi: His Life and Philanthropic Legacy – Italian ...

   www.italianartsociety.org › 2018 › 09

   Learn about the Florentine painter who inherited Andrea del Verrocchio's workshop and befriended Leonardo da Vinci. Discover how he left his fortune to help the poor and needy in Florence.

5. www.nationalgallery.org.uk › artists › lorenzo-di-crediLorenzo di Credi (about 1458 - 1537) | National Gallery, London

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   Learn about Lorenzo di Credi, a painter who trained with Verrocchio and was influenced by Leonardo da Vinci. See his paintings of the Virgin and Child in the gallery.

6. www.oxfordreference.com › display › 10Lorenzo di Credi - Oxford Reference

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   Lorenzo di Credi. (c. 1457—1536) Quick Reference. ( b Florence, c .1458; d Florence, 12 Jan. 1537). Florentine painter. He was a fellow pupil of Leonardo in Verrocchio's workshop and he seems to have stayed there until Verrocchio's death in 1488, managing the painting side of his master's varied business.

7. www.getty.edu › art › collectionLorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Getty Museum)

   www.getty.edu › art › collection

   Feb 21, 2024 · As head of one of Florence's largest painting workshops, Lorenzo di Credi was a prominent member of the city's artistic life. A goldsmith's son, by 1476 Lorenzo was working in Andrea del Verrocchio's workshop, where he created small panels of the Virgin and Child and saints at prayer.

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   Who was Lorenzo di Credi?

   • Born the son of a goldsmith in 1457 or 1459, Lorenzo di Credi was, with Leonardo da Vinci and Perugino, a pupil in the Florentine workshop of Andrea del Verrocchio, where he is first recorded in 1480 as a poorly paid assistant.

   Lorenzo di Credi - National Gallery of Art

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   When did Lorenzo di Credi become a painter?

   • Lorenzo di Credi started his training with Verrocchio – probably in the early 1470s. He was certainly working there as a painter in 1480, and stayed there until Verrocchio’s death in 1488. Lorenzo was strongly influenced by the young Leonardo da Vinci, who also trained with Verrocchio. His style appears to have developed little.

   Lorenzo di Credi (about 1458 - 1537) | National Gallery, London

   www.nationalgallery.org.uk/artists/lorenzo-di-credi

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   Where did Lorenzo di Credi live?

   • Oil on panel, 18 x 12 in. Washington, D.C., National Gallery of Art. Lorenzo di Credi (1456/59 – January 12, 1537) was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects, and portraits. With some excursions to nearby cities, his whole life was spent in Florence.

   Lorenzo di Credi - Wikipedia

   en.wikipedia.org/wiki/Lorenzo_di_Credi

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   Who influenced Lorenzo di Credi?

   • Lorenzo was strongly influenced by the young Leonardo da Vinci, who also trained with Verrocchio. His style appears to have developed little. Lorenzo di Credi started his training with Verrocchio – probably in the early 1470s. He was certainly working there as a painter in 1480, and stayed there until Verrocchio’s death in 1488.

   Lorenzo di Credi (about 1458 - 1537) | National Gallery, London

   www.nationalgallery.org.uk/artists/lorenzo-di-credi

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9. www.metmuseum.org › art › collectionLorenzo di Credi (Lorenzo d'Andrea d'Oderigo) | Madonna ...

   www.metmuseum.org › art › collection

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   A circular painting by Lorenzo di Credi depicting the infant Jesus, Mary, John the Baptist, and an angel. Learn about the artist, the context, and the conservation of this work from The Met's collection.