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  1. en.wikipedia.org › wiki › Franz_KlineFranz Kline - Wikipedia

    Franz Kline (May 23, 1910 – May 13, 1962) was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s.

  2. Franz Kline (May 23, 1910 – May 13, 1962) was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s.

    • American
    • May 23, 1910
    • Wilkes-Barre, Pennsylvania, United States
    • May 13, 1962
  3. www.moma.org › artists › 3148Franz Kline | MoMA

    Franz Kline (May 23, 1910 – May 13, 1962) was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s. Kline, along with other action painters like Jackson Pollock, Willem de Kooning, Robert Motherwell, John Ferren, and Lee Krasner, as well as local poets, dancers, and musicians came to be known ...

  4. American Abstract Expressionist Franz Kline is best known for large black and white paintings bearing abstract motifs set down with strident confidence. He started out as a realist with a fluent style that he perfected during an academic training that encouraged him to admire Old Masters such as Rembrandt. But after settling in New York and ...

    • American
    • May 23, 1910
    • Wilkes-Barre, Pennsylvania
    • May 13, 1962
  5. Biography. Painter, Abstract Expressionist. Early in his career, Kline painted landscapes, street scenes and portraits. His mature style was abstract, distinctive for its broad, highly charged black strokes on a white ground.

    • May 23, 1910
    • May 13, 1962
  6. www.artnet.com › artists › franz-klineFranz Kline | Artnet

    Franz Kline was an American Abstract Expressionist known for his distinctive monochromatic paintings. View Franz Kline’s 844 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.

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  8. Franz Kline. Chief. 1950. Not on view. True to an alternate name for Abstract Expressionism, "action painting," Kline's pictures often suggest broad, confident, quickly executed gestures reflecting the artist's spontaneous impulses. Yet Kline seldom worked that way.

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