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  1. The Death of Socrates (French: La Mort de Socrate) is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo.

    • Oil on Canvas, Neoclassicism
  2. Feb 8, 2024 · Published February 8, 2024. Updated February 12, 2024. Despite his spirited defense against charges of impiety and corrupting the youth, Socrates was sentenced to death by poisoning in 399 B.C.E. by a jury of his Athenian peers. Socrates was one of ancient Greece’s most influential philosophers.

    • Austin Harvey
  3. A neoclassical painting of the Greek philosopher's last moments, based on Plato's account and antiquarian sources. Learn about the artist, the composition, the technical examination, and the historical context of this masterpiece from 1787.

  4. Aug 4, 2022 · Learn about the historical and artistic context of The Death of Socrates (1787), a famous Neoclassical painting by Jacques-Louis David. Explore the subject matter, style, and symbolism of this depiction of the ancient philosopher's last moments.

    • Alicia du Plessis
    • ( Author And Art History Expert )
  5. Dec 6, 2023 · Socrates, in 399, is put on trial for corrupting the youth of Athens and for disrespecting the gods of Athens. He’s found guilty and offered a choice. He could renounce his beliefs, or he could die by his own hand, and Socrates chooses death.

  6. 4 days ago · Why did Athens condemn Socrates to death? Why didn’t Socrates try to escape his death sentence? Summarize This Article. Socrates (born c. 470 bce, Athens [Greece]—died 399 bce, Athens) was an ancient Greek philosopher whose way of life, character, and thought exerted a profound influence on Classical antiquity and Western philosophy.

  7. May 5, 2022 · Learn how Jacques Louis David created his masterpiece The Death of Socrates (1787) by studying the changes and refinements in his preparatory drawings and the painting itself. See how he used perspective, underdrawing, squaring, and X-ray fluorescence to achieve narrative clarity and dramatic effect.

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