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  2. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour.

  3. Apr 29, 2024 · Post-Impressionism, in Western painting, movement in France that represented both an extension of Impressionism and a rejection of that styles inherent limitations. The term Post-Impressionism was coined by the English art critic Roger Fry for the work of such late 19th-century painters as Paul

    • The Editors of Encyclopaedia Britannica
  4. Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN, French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century.

  5. By recreating the sensation in the eye that views the subject, rather than delineating the details of the subject, and by creating a welter of techniques and forms, Impressionism is a precursor of various painting styles, including Neo-Impressionism, Post-Impressionism, Fauvism, and Cubism.

  6. Post-impressionism (or Post-Impressionism) is a term used to describe the development of French art after Manet (1832–1883). The British artist and art critic Roger Fry used the term in 1910, and it is now a standard art term. Fry organized the 1910 exhibition Manet and the Post-Impressionists.

  7. Vincent Willem van Gogh (Dutch: [ˈvɪnsɛnt ˈʋɪləɱ‿vɑŋ‿ˈɣɔx] ⓘ; 30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art.

  8. Learn about the artistic movement that broke free of Impressionism in the late 1880s, featuring Gauguin, Seurat, Van Gogh, and Cézanne. Explore their diverse styles, themes, and influences in this essay from The Met's Heilbrunn Timeline of Art History.

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