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  1. en.wikipedia.org › wiki › Mean_StreetsMean Streets - Wikipedia

    Mean Streets is a 1973 American crime drama film directed by Martin Scorsese, co-written by Scorsese and Mardik Martin, and starring Robert De Niro and Harvey Keitel. It was produced by Warner Bros. The film premiered at the New York Film Festival on October 2, 1973, and was released on October 14. [ 3 ]

  2. en.wikipedia.org › wiki › David_ProvalDavid Proval - Wikipedia

    David Proval is an American actor and former boxer, known for his roles as Tony DeVienazo in the Martin Scorsese film Mean Streets (1973), Snooze in The Shawshank Redemption (1994), Siegfried in Four Rooms (1995) and as Richie Aprile on the HBO television series The Sopranos (1999–2007).

  3. Apr 22, 2024 · David Proval, costar of Martin Scorsese's Mean Streets, looks back on his experience making a classic American film.

  4. www.imdb.com › name › nm0698998David Proval - IMDb

    David Proval launched his acting career with a starring role in Mean Streets (1973), directed by Martin Scorsese, and has been working nonstop ever since. Notable features in which he has appeared include The Phantom (1996), The Brady Bunch Movie (1995) Four Rooms (1995) and The Shawshank Redemption (1994).

    • January 1, 1
    • 1.69 m
    • Brooklyn, New York, USA
  5. David Proval: Making Mean Streets. Role Call. 93 subscribers. Subscribed. 77. 3.9K views 5 years ago. From Role Call Episode #1, Raul and Adam are joined by actor David Proval. Listen...

    • 6 min
    • 4K
    • Role Call
  6. Mean Streets: Directed by Martin Scorsese. With Robert De Niro, Harvey Keitel, David Proval, Amy Robinson. In New York City's Little Italy, a devoutly Catholic mobster must reconcile his desire for power, his feelings for his epileptic girlfriend, and his devotion to his troublesome friend.

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  8. Nov 21, 2023 · It is especially hard to imagine The Sopranos without Mean Streets; David Proval’s recurring role as Richie Aprile in the television series is something of an homage. And the minute you see Harvey Keitel in a church in Abel Ferrara’s Bad Lieutenant (1992), the memory of Mean Streets supplies the context with no further explanation required.

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