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One of Craig’s beliefs was that the marionette was an incarnation of all that is spiritual and dignified in the human form, “the last echo of some noble and beautiful art from a past civilisation”.
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There is no consensus among scholars about what the term ‘über-marionette’, coined by Edward Gordon Craig, covers: is it a life-size marionette? a masked dancer? or just a metaphor for an actor who exerts perfect control over his body and emotions?
Quick Reference. Term devised by Edward Gordon Craig to describe the ideal performer in his revolutionary theatre. These dolls (replacing actors, whom he found unacceptable in their reliance on physical and facial ... From: Über-marionette in The Oxford Encyclopedia of Theatre and Performance ».
GORDON CRAIG'S CONCEPT OF THE ACTOR CHARLES R. LYONS In 1908, when Edward Gordon Craig demanded that the human actor must leave the stage to be replaced by a non-human "instrument," the Uber-mario-nette, he confirmed an exile from the modern theatre from which he has yet to return. Craig projected that revolu-tionary theory from the Arena Goldoni
More than a century after Edward Gordon Craig published The Actor and the Über-Marionette (1908), the core of his conception of acting still poses a hermeneutical challenge to the theatre...
Abstract The chief purpose of this study is to provide an understanding of the temperament masks of Mike Chase who is a renowned mask-maker and performer based in England. Chase’s decades-long…. Die Marionette als somnambuler Bewusstseinszustand bei Edward G. Craig und Heinrich v. Kleist.
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What does 'Über-Marionette' mean?
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The Actor and the Über-marionette. Author. Edward Gordon Craig. Publisher. The Mask, 1907. Original from. University of Minnesota. Digitized. Aug 5, 2013.