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Mar 5, 2010 · Tom Farrell at the Museum of Modern Art in New York City, introduces Nicholas Ray's "We Can't Go Home Again" at a screening in 2003.One of the last projects ...
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- DigitalManOfAction
English. We Can't Go Home Again is an experimental feature film directed by Nicholas Ray in collaboration with his film students at Binghamton University. Ray and the students play fictionalized versions of themselves. The film was the major project of the last decade of Ray's life, and he and his collaborators continuously re-edited it.
May 20, 2016 · Discouraged by studio meddling and in poor health, Ray was mostly absent from the movie world from the mid 1960s through the early 1970s. The director's passion for his art is apparent during a heated discussion between Ray and actress Leslie Levinson. Ray frequently spoke with a cigarette hanging out of his mouth, as Bogart often did.
- Eric Somer
Jul 15, 2012 · Commemorating Nicholas Ray in his centenary year, in 2011 his last feature-length motion picture, We Can’t Go Home Again (1973-), started doing laps around the festival circuit, sometimes accompanied by Don’t Expect Too Much (2011), a new documentary about the making of the movie. Susan Ray, the filmmaker’s widow, directed this account of ...
- Blaine Allan
Film Pulse Score. Release Date: May 10, 2016. Director: Nicholas Ray. MPAA Rating: NR. Run Time: 93 Minutes. Purchase: Amazon. This product was provided for free for the purpose of this review. 1950’s In a Lonely Place marks the second film from Nicholas Ray’s oeuvre to garner the Criterion treatment ( Bigger Than Life from 1956 being the ...
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the film ...
Leslie Levinson, a dancer brought into the film by a friend, became another defining character in We Can't Go Home Again, and her startling stories and daring revelations (all inspired by actual events in her life) push the film's content as much as Ray's relentless experimenting pushed the form. The film reflects and confronts the political ...
