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  1. chapter: section: 49. So Cleopatra, taking only Apollodorus the Sicilian from among her friends, embarked in a little skiff and landed at the palace when it was already getting dark; and as it was impossible to escape notice otherwise, she stretched herself at full length inside a bed-sack, while Apollodorus tied the bedsack up with a cord and ...

  2. Mar 17, 2020 · The most famous translation of Plutarch’s “Lives” is that by Sir Thomas North (1579), which was Shakespeare’s major source for “Julius Caesar”, “Coriolanus” and, of course, “Antony and Cleopatra”. The extract below is a translation of the text included in “A Greek Anthology”, JACT, Cambridge University Press, 2002 ...

  3. 86. It is said that the asp was brought with those figs and leaves and lay hidden beneath them, for thus Cleopatra had given orders, that the reptile might fasten itself upon her body without her being aware of it. But when she took away some of the figs and saw it, she said: ‘There it is, you see,’ and baring her arm she held it out for ...

  4. 69. After Antony had reached the coast of Libya and sent Cleopatra forward into Egypt from Paraetonium, he had the benefit of solitude without end, roaming and wandering about with two friends, one a Greek, Aristocrates a rhetorician, and the other a Roman, Lucilius, about whom I have told a story elsewhere. 1 He was at Philippi, and in order ...

  5. en.wikiquote.org › wiki › CleopatraCleopatra - Wikiquote

    • Quotes
    • Quotes About Cleopatra
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    He was dispos'd to mirth; but on the sudden A Roman thought hath struck him.
    Where’s my serpent of old Nile? For so he calls me.
    My salad days, When I was green in judgment, cold in blood, To say as I said then!
    O, wither’d is the garland of the war! The soldier’s pole is fall'n; young boys and girls Are level now with men; the odds is gone, And there is nothing left remarkable Beneath the visiting moon.
    Good sirs, take heart: — We'll bury him; and then, what's brave, what's noble, Let's do it after the high Roman fashion, And make Death proud to take us. Come, away: This case of that huge spirit n...

    The secret is always to wear the same scent, until it becomes a personal, untransferable trademark, something that identifies us. Cleopatra knew this and, as with everything else she did, carried i...

    Cleopatraby James Grout (part of the Encyclopædia Romana)
    Cleopatra VII (VI), Chapter XIII of E. R. Bevan's House of Ptolemy, 1923)
  6. Apr 7, 2024 · Shakespeare's plays, including Julius Caesar, Antony and Cleopatra and Coriolanus are filled with references to Plutarch's biographies, while many of his characters are drawn directly from Plutarch's pages. Shakespeare's fascination with the moral dilemmas of power, ambition and fate, mirrors Plutarch's own preoccupations, underscoring the ...

  7. of Plutarch and analyze the use of tragic themes and motifs in his depiction of the death of Antony and Cleopatra. Finally, a concluding argument will be made that Plutarch used these Greek tragic motifs with the purpose of inspiring pity for Cleopatra and the moral aim of producing a type of Roman conquest catharsis.

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