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April 14 – June 3, 2023. New York, NY – March 24, 2023 – 125 Newbury proudly presents Sylvia Plimack Mangold, the first solo exhibition of new work by this pioneering figure in the history of post-1960s art since 2018. The exhibition debuts a suite of fifteen paintings and works on paper that Mangold has created over the past five years ...
NEW YORK, NY.-125 Newbury has opened Sylvia Plimack Mangold, the first solo exhibition of new work by this pioneering figure in the history of post-1960s art since 2018. . The exhibition debuts a suite of fifteen paintings and works on paper that Mangold has created over the past five years, all of which depict the maple tree outside the window of her studio in upstate New Y
May 5, 2023 · Sylvia Plimack Mangold. ... of Pace and named for the gallery’s original Boston address—includes a suite of ten canvases, each titled “Leaves in the Wind,” whose cropped, disorienting ...
- Condé Nast
May 19, 2023 · “I discovered the secret of the sea in meditation upon a dewdrop,” wrote the Lebanese-born painter and poet Khalil Gibran. Sylvia Plimack Mangold approaches painting the same way. Fifteen works on view at 125 Newbury all depict a single maple tree living outside her studio in Washingtonville, N.Y., that she has been painting for decades.
- MARTHA SCHWENDENER
Apr 14, 2023 · About. New York, NY – March 24, 2023 – 125 Newbury proudly presents Sylvia Plimack Mangold, the first solo exhibition of new work by this pioneering figure in the history of post-1960s art since 2018. The exhibition debuts a suite of fifteen paintings and works on paper that Mangold has created over the past five years, all of which depict ...
Andrew Mangold. Parent (s) Ethel and Maurice Plimack. Sylvia Plimack Mangold (born September 18, 1938) is an American artist, painter, printmaker, and pastelist. She is known for her representational depictions of interiors and landscapes. She is the mother of film director / screenwriter James Mangold and musician Andrew Mangold.
Plimack Mangold’s subjects are her immediate surroundings. Throughout the 1970s, she painted the floors of the homes she inhabited, representing them both in their natural states—occasionally adorned with piles of laundry—or, as in 36 x 36 , as cropped units to be measured, as evidenced by the presence of painted rulers.
