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"The Outer Limits" Valerie 23 (TV Episode 1995) cast and crew credits, including actors, actresses, directors, writers and more.
- Plot
- Notes
- Cast
Valerie 23 (Sofia Shinas) is the latest development from the Innobotics Corporation. She is designed to be attractive, helpful, and a perfect companion for a disabled man. Although he is the ideal test candidate, due to his condition and qualifications, Frank Hellner (William Sadler) is extremely reluctant to take part and wants nothing to do with ...
As shown in the release of a compilation edition "Sex and Science Fiction", this episode set a racier tone with more sexual content for the Outer Limits revival as opposed to either its own original series or its "competitor" The Twilight Zone. This would continue throughout the revival series.
Valerie 23 - The Outer Limits 1995 TV Series. Valerie 23 is the latest development from the Innobotics Corporation, and she is designed to be an attractive, helpful and perfect...
- 44 min
- 17.7K
- The Haunted Manor
People also ask
Who is Valerie 23?
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How does Valerie respond to Frank in Innobotics?
Summaries. A disabled man is offered a prototype android companion in the form of the beautiful Valerie. But when he begins a romance with his physical therapist, his robot develops feelings of jealousy. Frank Hellner, an engineer with Innobotics Corporation, has been working on components for a secret project for some time. His boss, Charlie ...
Tropes 23: Alas, Poor Villain. Valerie 23. She's a Robot Girl designed for love, then goes on a jealous rampage when she thinks that another human is taking the object of her affection away from her. When she's destroyed she acknowledges that she fears death, which the protagonist had earlier deemed is what makes something truly alive.
What one basically has at first glance with “Valerie 23” is a TV remake of 1987’s Fatal Attraction only given the added thematic weight of Artificial Intelligence. The capable Sadler takes over the Michael Douglas role, and Shinas steps into the shoes vacated by Glenn Close.
