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  1. en.wikipedia.org › wiki › Wong_Kar-waiWong Kar-wai - Wikipedia

    Wong Kar-wai BBS (born 17 July 1958) is a Hong Kong film director, screenwriter, and producer. His films are characterised by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colours.

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  2. Wong Kar-wai (born 17 July 1958) is a Hong Kong film director, screenwriter and producer. He began his career as a screenwriter in 1982, then made his directoral debut in 1988. As of 2019, he has directed 10 feature films. He has also worked as producer on several films he did not direct.

    Year
    Title
    Credited As(director)
    Credited As(writer)
    2021
    No
    No
    2018
    No
    No
    2016
    No
    Yes
    2016
    No
    No
    • Plot
    • Cast
    • Title
    • Development and Pre-Production
    • Production
    • Title Song
    • Soundtrack
    • Box Office and Distribution
    • Home Media
    • Reception and Legacy

    In 1962 British Hong Kong, Shanghainese expatriates Chow Mo-wan, a journalist, and Su Li-zhen (Mrs. Chan), a secretary at a shipping company, rent rooms in adjacent apartments. Each has a spouse who works and often leaves them alone on overtime shifts. Due to the friendly but overbearing presence of Su's Shanghainese landlady, Mrs. Suen, and their ...

    The film's original Chinese title, meaning "the age of blossoms" or "the flowery years" – a Chinese metaphor for the fleeting time of youth, beauty and love – derives from a song of the same name by Zhou Xuan from a 1946 film. The English title derives from the song "I'm in the Mood for Love". Director Wong had planned to name the film Secretsuntil...

    In the Mood for Love went through a long gestation period. In the 1990s, Wong Kar-wai found some commercial success, much critical acclaim, and wide influence on other filmmakers throughout Asia and the world with films such as Chungking Express and Fallen Angels, both set in present-day Hong Kong. His 1997 film Happy Together was also successful i...

    Wong's plan to make a film set primarily in Hong Kong did not simplify matters when it came to the shoot. The city's appearance was much changed since the 1960s, and Wong's personal nostalgia for the time added to his desire for historical accuracy. Wong had little taste for working in studio settings, let alone using special effects to imitate the...

    The title track "Hua Yang De Nian Hua" is a song by famous singer Zhou Xuan from the Solitary Island period. The 1946 song is a paean to a happy past and an oblique metaphor for the darkness of Japanese-occupied Shanghai. Wong also set the song to his 2000 short film, named Hua Yang De Nian Hua, after the track.

    Shigeru Umebayashi: "Yumeji's Theme" (originally from the soundtrack of Seijun Suzuki's Yumeji)
    Nat King Cole: "Aquellos Ojos Verdes", "Te Quiero Dijiste", "Quizás, Quizás, Quizás"

    In the Mood for Lovemade HK$8,663,227 during its Hong Kong run. On 2 February 2001, the film opened in six North American theatres, earning $113,280 ($18,880 per screen) in its first weekend. It finished its North American run with a gross of $2,738,980. The total worldwide box office gross was US$12,854,953.

    The film has been released on DVD and Blu-ray, most notably by the Criterion Collection, who released a restored high-definition digital transfer in the United States in 2012.

    On Rotten Tomatoes, the film holds an approval rating of 92% based on 187 reviews, with an average rating of 8/10. The website's critical consensus reads: "An exquisitely shot showcase for Maggie Cheung and Tony Leung that marks a somber evolution of Wong Kar-wai's chic style, In the Mood for Love is a tantric tease that's liable to break your hear...

  3. Name: Wong Kar-Wai. Chinese: 王家卫. Birthdate: July 17, 1958. Birthplace: Shanghai, China.

  4. Wong Kar-wai is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylized films.

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  5. Nov 9, 2018 · Hong Kong director Wong Kar-wai made three of the 100 greatest foreign-language films in BBC Culture’s poll. His unique style and universal human themes mark him apart from his peers, writes...

  6. By restrict­ing his cin­e­mat­ic lan­guage, Wong “echoes the restric­tion of action that plagues Mr. Chow and Mrs. Chan in 1960s Hong Kong.” The recent 20th-anniver­sary restora­tion of In the Mood for Love and those of Wongs oth­er work are even now being screened around the globe.

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