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  2. After Hours is a 1985 American black comedy film directed by Martin Scorsese, written by Joseph Minion, and produced by Amy Robinson, Griffin Dunne, and Robert F. Colesberry. Dunne stars as Paul Hackett, an office worker who experiences a series of misadventures while attempting to make his way home from New York City's SoHo district during the ...

  3. Jan 14, 2009 · In "After Hours," each new person Paul meets promises that they will take care of him, make him happy, lend him money, give him a place to stay, let him use the phone, trust him with their keys, drive him home - and every offer of mercy turns into an unanticipated danger.

  4. Advertisement. The movie tells the story of a night in the life of Paul Hackett ( Griffin Dunne ), a midtown Manhattan word-processing specialist who hates his job and his lonely private life. One night in a restaurant he strikes up a conversation with a winsome young woman ( Rosanna Arquette ).

  5. Oct 11, 1985 · After Hours: Directed by Martin Scorsese. With Griffin Dunne, Rosanna Arquette, Verna Bloom, Tommy Chong. An ordinary word processor has the worst night of his life after he agrees to visit a girl in Soho he met that evening at a coffee shop.

    • (82K)
    • Comedy, Crime, Drama
    • Martin Scorsese
    • 1985-10-11
  6. Paul Hackett (Griffin Dunn) is a lonely and bored computer word-processing consultant who wants more in his life than just going to work and going home every boring day of his life. One day involves teaching a new trainee, named Lloyd (Bronson Pinchot), the works of the computer.

  7. www.rottentomatoes.com › m › 1032180-after_hoursAfter Hours | Rotten Tomatoes

    In a Manhattan cafe, word processor Paul Hackett (Griffin Dunne) meets and talks literature with Marcy (Rosanna Arquette). Later that night, Paul takes a cab to Marcy's downtown...

    • (68)
    • Comedy
    • R
  8. www.metacritic.com › movie › after-hoursAfter Hours - Metacritic

    After Hours is a caffeinated black comedy with an emphasis on speed. With a small crew and a tight shooting schedule, Scorsese transformed limited means into a staccato burst of creative energy, playing up the extreme paranoia and frustration of a data processor stranded in Soho.

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