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Mar 24, 2023 · 88% Tomatometer 16 Reviews 70% Audience Score Fewer than 50 Ratings The most multifarious flock trammeled tightly together to look and feel like one, Indian society but has traversed through ...
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Mar 24, 2023 · Bheed story: Anubhav Sinha’s social drama highlights the plight of migrant workers during the nationwide Corona virus-induced lockdown and their painful and heartbreaking journey to make their ...
Full Review | Jun 1, 2023. Rohan Naahar The Indian Express. Furious but compassionate, bleak yet not entirely without hope, Bheed is a movie defined by duality — of its characters, its themes...
Mar 24, 2023 · Cast: Rajkummar Rao, Bhumi Pednekar, Dia Mirza, Ashutosh Rana, Pankaj Kapur and Kritika Kamra. Director: Anubhav Sinha. Rating: Four stars (out of 5) In Bheed, out in the theatres three years to...
Mar 24, 2023 · Bheed: Directed by Anubhav Sinha. With Rajkummar Rao, Pankaj Kapur, Bhumi Pednekar, Aditya Srivastav. The toughest times people had to face just to reach their homes.
Mar 24, 2023 · Bheed, meaning “crowd”, tells a story shaped by the chaos of the 2020 migrant exodus. The film is set in the weeks following the sudden announcement of India’s first Covid-19 lockdown, back when institutional apathy led crores of marooned workers in the cities to depart for their villages on foot.
Mar 24, 2023 · Anubhav Sinha’s black-and-white drama takes an unflinching look at India’s Covid-19 migration crisis. Source: Benaras Media Works. ‘Bheed’. Director: Anubhav Sinha. India. 2023. 114minutes ...
Bheed (2023) : Movie Review - Anubhav Sinha's Bheed, starring Rajkummar Rao, Bhumi Pednekar, and Pankaj Kapur, is said to be based on the migration of labourers during the early days of lockdown in 2020. That's not true, though.
Mar 24, 2023 · Rajkummar Rao's Bheed is a lockdown thriller that follows the migrant workers trying to get back to their homes during the Covid-19 pandemic. The film hits too close to home and brings back painful memories from Covid days, says our review.
Mar 24, 2023 · With Bheed, he touches upon something unexplored in mainstream cinema: the psychological trauma of caste discrimination. In a telling scene, after being unable to perform in bed, Tikus confesses to Sharma that since childhood he has been told what to touch and what not to, so when he touches her, his hand trembles.
