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Feb 22, 2013 · Emily St. James. Carnivàle creator Daniel Knauf recently sat down with The A.V. Club to talk through the complete run of the cult HBO series. Part one, which deals with season one, can be found ...
Carnivàle. Daniel Knauf. Home Box Office, 2001 - Carnivals - 60 pages. It's the Dustbowl of 1934. A fugitive named Ben Hawkins finds refuge within a traveling carnival owned by the mysterious and unseen Management, who has designs on the young Hawkins, for the boy is concealing an untapped gift: he can heal the lame and raise the dead--at a price.
- Daniel Knauf
- 2001
- 134 pages
- Carnivàle
Oct 27, 2023 · Friday 10/27/2023 at 2:00PM EDT. Nick Stahl, Clea DuVall, Daniel Knauf (Photos: HBO, Daniel Knauf; Primetimer graphic) This fall marks the 20th anniversary of Carnivàle ’s premiere on HBO. Riding high on the success of The Sopranos, Six Feet Under, and The Wire, the network pushed into more uncharted territory, with a Dust Bowl-era tale of ...
Daniel Knauf. Portrait of Daniel Knauf, 2023. Born. United States. Occupations. Screenwriter. television producer. Daniel Knauf, sometimes credited under the pseudonyms Wilfred Schmidt and Chris Neal, is an American television screenwriter and producer, as well as comic book writer, best known for his creation of the 2003 HBO series Carnivàle .
Series Concept & Background by Daniel Knauf. Before the Beginning, after the great celestial war that rocked the very foundations of Heaven and Hell, God and Satan established an uneasy truce. Never again would they face each other in direct confrontation. So God created the Earth, inhabiting it with the crafty ape he called Man.
Feb 21, 2013 · Emily St. James. Daniel Knauf had a couple of small credits to his name—a TV movie here, a stint on Wolf Lake there—when he managed to sell the intricate Great Depression-era genre show ...
Foreword (Daniel Knauf) 1 Introduction (Peg Aloi and Hannah E. Johnston) 7 The Sensuous Cinematics of Carnivàle (Tammy A. Kinsey) 17 The World, the Flesh and the Devil: Historical and Cultural Context in the Opening Credit Sequence (Peg Aloi) 29 The Visual Rhetoric and Multimodal Style of Carnivàle (Moe Folk) 41
