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  1. The Roses of Heliogabalus is an 1888 painting by the Anglo-Dutch artist Sir Lawrence Alma-Tadema depicting the young Roman emperor Elagabalus (203–222 AD) hosting a banquet. Subject. The painting measures 132.7 × 214.4 centimetres (52.2 × 84.4 in).

  2. en.wikipedia.org › wiki › ElagabalusElagabalus - Wikipedia

    Elagabalus on a wall painting at Forchtenstein Castle in Austria. Héliogabale, a modern dance choreographed by Maurice Béjart; The Legends, a dance performed by Sebastian Droste as Heliogabalus, as part of the Dances of Vice, Horror and Ecstasy performance staged by Droste and Anita Berber in 1923; Music

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  4. Jan 5, 2016 · Learn about the 1888 painting by Lawrence Alma-Tadema that depicts a fictional rose ceremony orchestrated by the third-century Roman emperor Heliogabalus, also known as Elagabalus. Discover the wild and salacious stories of his life, from his youthful beauty to his sacrilegious acts to his violent death.

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  5. Aug 29, 2019 · The Roses of Heliogabalus is one of Alma-Tadema’s most famous paintings. It depicts the Roman Emperor Egabalus (Heliogabalus), a debauched psychotic. In this episode, he is attempting to smother his unsuspecting audience with rose petals, which have been let loose from false ceiling panels.

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  6. acearchive.org › the-roses-of-heliogabalusThe Roses of Heliogabalus

    Feb 24, 2023 · Painted by Lawrence Alma-Tadema in 1888, it depicts a scene of decadence and extravagance, depicting the infamous Roman Emperor Elagabalus. The painting was featured in an exhibition at the Metropolitan Museum of Art in New York in 1973, and it has since been displayed in various other exhibitions around the world.

  7. Jan 21, 2024 · In The Roses of Heliogabalus, Sir Lawrence Alma-Tadema depicts one of the most infamous moments in the life of Emperor Heliogabalus. It is recorded in the Historia Augusta that Heliogabalus invited guests to his palace one evening to partake in his drinking party and orgy.

  8. Feb 22, 2013 · It is fitting that a song so replete with historical and cultural references underscores the author’s own treatment of the notorious Roman emperor, Elagabalus, whose brief but colorful reign (218-222 CE) was commonly known for its exotic religious innovations and vice-ridden excesses.

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