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  1. Lizzie Siddal Emerges from the Ghostly Mist; What Shapes Our Perception of Lizzie? Timeline

  2. Elizabeth Siddal (1829-1862) The Ladies' Lament from the Ballad of Sir Patrick Spens, 1856 In the reign of Alexander III of Scotland, his daughter Margaret was escorted by a large party of nobles to Norway for her marriage to King Eric; on the return journey many of them were drowned.

  3. Feb 10, 2014 · Tomorrow marks the anniversary of Elizabeth Siddals death. For this week’s image, I have chosen The LadiesLament, inspired by the Ballad of Sir Patrick Spens.

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    • The Haunted Wood by Elizabeth Siddal
    • Clerk Saunders
    • The Lady of Shalott, by Elizabeth Siddal

    The Haunted Wood, a gouache on paper work from 1856, demonstrates Siddal’s intimate understanding of the aforementioned influences, both visually and thematically. The composition is flat, echoing the composition of medieval illuminations. The awkward, angular limbs of the human figures parallel the tree branches. The subject, which likely draws it...

    Elizabeth Siddal’s artistic career only lasted just short of a decade. During this time, she managed to create hundreds of original artworks and grow her reputation as a serious artist among the Victorian-era avant-garde. By 1857, Siddal earned her place as the sole woman artist to exhibit work at the Pre-Raphaelite Exhibition in London—an alternat...

    What began as an exciting romantic relationship and fruitful artistic collaboration with Dante Gabriel Rossetti eventually led to an unhappy marriage for Elizabeth Siddal. Having suffered from physical illnesses throughout her life, Siddal’s health only deteriorated further after her wedding to Rossetti. Within their first year of marriage, Siddal ...

  5. Feb 17, 2022 · Siddal’s most important work, Clerk Saunders, is at the Fitzwilliam Museum, Cambridge. The Ladies’ Lament (from Sir Patric Spens) is in the Tate Gallery, as is A Lady offering a Pennant to a Knight’s Spear.

  6. Elizabeth Eleanor Siddall (25 July 1829 – 11 February 1862), better known as Elizabeth Siddal (a spelling she adopted in 1853), was an English artist, art model, and poet. Siddal was perhaps the most significant of the female models who posed for the Pre-Raphaelite Brotherhood. Their ideas of female beauty were fundamentally influenced and ...

  7. Elizabeth Eleanor Siddal - The Ladies' Lament from 'Sir Patrick Spens'. 1856, 24.1 x 22.9 cm, Watercolour on paper, Tate Gallery, London.