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Jun 7, 2012 · The plant studies are, for the most part, contour drawings of leaves, stems and flowers done in clean strokes of pencil or pen and centered on the page. Mr. Kelly does not use shading, relying on ...
One of the foremost artists of our day, Ellsworth Kelly (American, born 1923) may be best known for his rigorous abstract painting, but he has made figurative drawings throughout his career, creating an extraordinary body of work that now spans six decades. There has never been a major museum exhibition dedicated exclusively to the plant drawings.
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Matthew Marks is pleased to announce Ellsworth Kelly Last Paintings and Ellsworth Kelly Plant Drawings , the next exhibitions in his galleries at 522 and 526 West 22nd Street. The nine canvases in Ellsworth Kelly Last Paintings , made in the months leading up to Kelly’s death in December 2015, are the culmination of his seven-decade pursuit of a singular artistic vision. As John Coplans once ...
The first exhibition of Ellsworth Kelly’s plant drawings was at the Metropolitan Museum, in 1969, when Henry Geldzahler, then Curator of Contemporary Art, included 30 examples in the historic exhibition New York Painting and Sculpture: 1940-1970. In addition to the works on paper, Geldzahler, working closely with the artist, installed a group ...
In 1964, Ellsworth Kelly (1923–2015) began work on a series of prints he called Suite of Plant Lithographs. Printed in Paris in 1965 and 1966, they capture the essence of botanical subjects such as camellia leaves or cyclamen with an unerring spareness and elegance. In celebration of the centennial of Kelly’s birth, this exhibition presents ...
Aug 19, 2021 · 2. Notice an edge, draw a line. Focus only on contour. Notice the start of the edge and end of the edge that you are going to draw, then move your eye over it; at the same speed, make your mark on the page. Spend most of the time looking at your subject, not at the line you are drawing. 3.
Ellsworth Kelly’s plant drawings played a central role in his art. “The drawings from plant life seem to be the bridge to the way of seeing that brought about the paintings in 1949 that are the basis for all my later work,” Kelly wrote in 1969. “They are exact observations of the form of the leaf or flower or fruit seen. Nothing is changed or added: no shading, no surface marking ...
