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René Magritte
- The Empire of Light (French: L'Empire des lumières) is the title of a succession of paintings by René Magritte. They depict the paradoxical image of a nocturnal landscape beneath a sunlit sky. He explored the theme in 27 paintings (17 oil paintings and 10 gouaches) from the 1940s to the 1960s.
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The Empire of Light (French: L'Empire des lumières) is the title of a succession of paintings by René Magritte. They depict the paradoxical image of a nocturnal landscape beneath a sunlit sky. [2] He explored the theme in 27 paintings (17 oil paintings and 10 gouaches ) from the 1940s to the 1960s.
In Empire of Light, numerous versions of which exist (see, for example, those at the Museum of Modern Art, New York, and the Musées Royaux des Beaux-Arts de Belgique, Brussels), a dark, nocturnal street scene is set against a pastel-blue, light-drenched sky spotted with fluffy cumulus clouds.
In 1953-1954, artist Rene Magritte painted The Empire of Lights. It is the only time that Magritte used a title that was not his own. The intriguing oil painting displays a beautiful house lit up by its interior lights, and surrounded by the darkness of the night.
May 28, 2024 · The Empire of Light by René Magritte is a quintessential example of the Belgian surrealist’s ability to juxtapose the ordinary with the extraordinary, creating scenes that challenge the viewer’s perception of reality. Painted in between 1939 and 1967, this series of paintings depicts a serene, daylit sky above a nocturnal street, merging ...
Oct 14, 2023 · Learn about the surrealist painting that depicts a house on a street with both day and night, creating a sense of unease and confusion. Discover the meaning, the variations and the film connection of this famous artwork.
René Magritte. The Empire of Light, II. 1950. Oil on canvas. 31 x 39" (78.8 x 99.1 cm). Gift of D. and J. de Menil. 16.1951. © 2024 C. Herscovici, Brussels / Artists Rights Society (ARS), New York. Painting and Sculpture
The luminosity of the sky becomes unsettling, making the empty darkness below even more impenetrable than it would seem in a normal context. The bizarre subject is treated in an impersonal, precise style, typical of veristic Surrealist painting and preferred by Magritte since the mid-1920s.
