Search results
Grande Odalisque, also known as Une Odalisque or La Grande Odalisque, is an oil painting of 1814 by Jean-Auguste-Dominique Ingres depicting an odalisque, or concubine. Ingres' contemporaries considered the work to signify Ingres' break from Neoclassicism, indicating a shift toward exotic Romanticism. Grande Odalisque received heavy criticism ...
Jean-Auguste-Dominique Ingres was an artist of immense importance during the first half of the nineteenth century. His father, Jean-Marie-Joseph Ingres was a decorative artist of only minor influence who instructed his young son in the basics of drawing by allowing him to copy the family’s extensive print collection that included reproductions from artists such as Boucher, Correggio, Raphael ...
Oct 19, 2022 · The French Neoclassicist artist Jean-Auguste-Dominique Ingres painted La Grande Odalisque in 1814. He was a student of the highly regarded Neoclassicist Jacques-Louis David, but also explored different artistic styles like Romanticism and Orientalist approaches that moved away from his teacher’s principles.
- Alicia du Plessis
- ( Author And Art History Expert )
- Jean-Auguste-Dominique Ingres was a French artist, born on August 29 in 1780, and died on January 14 in 1867 of pneumonia. He was born in the town...
- La Grande Odalisque (1814) was commissioned by Caroline Murat, who was the Queen of Naples. She commissioned several other paintings from Ingres an...
- La Grande Odalisque (1814) is housed in the Musée du Louvre in Paris, France, which was acquired through purchase in 1899.
Location of La Grande Odalisque. Despite almost continuous criticism during Ingres’ lifetime, the painting was purchased in 1899 by the Louvre Museum in Paris, where it hangs to this day as one of its masterpeices. La Grande Odalisque is an 1814 painting by French Neoclassical artist Jean-Auguste-Dominique Ingres.
Ingres, La Grande Odalisque. Jean-Auguste-Dominique Ingres, La Grande Odalisque, 1814, Oil on canvas, 36" x 63" (91 x 162 cm), (Musée du Louvre, Paris). Created by Beth Harris and Steven Zucker.
- She is naked because Ingres loved painting the female back, not as it is, but as he felt it ought to be. He is known for painting the human back wi...
- The distortions of her anatomy really do recall the Mannerists. The subject matter, however, is different. Romantics were interested in "the exotic...
- A hookah. "A hookah (hukkā or huqqah)[1][2] also known as a waterpipe,[3] narghile, or Qalyān (Gujarati હૂકાહ),(Persian: Qalyān), is a single or mu...
- Yes, Mannerist characteristics are present, but the subject of Mannerism was more religious than Romanticism.
- Many artist painted nude women, And painted clothed men. This was the opposite with sculpting.
- According to the previous article, Ingres intended to conjure up a set of fears and desires linked to the long history of aggression between Christ...
Titre : Une odalisque, dite La grande odalisque. Description/Features. Femme nue, visage de 3/4 entouré d'un turban noué sur la nuque, à demi allongée sur un lit bleu, le coude gauche sur des coussins bleus, le corps sur des draps en désordre blanc et brun, la main droite tenant un éventail en plumes de paon, posée sur la jambe gauche ...
People also ask
What does Grande Odalisque mean?
What is La Grande Odalisque by Jean-Auguste-Dominique Ingres about?
Who was Jean-Auguste-Dominique Ingres?
How did Ingres render the female body in La Grande Odalisque?
Artwork Details. Title: Odalisque in Grisaille. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris) and Workshop. Date: ca. 1824–34. Medium: Oil on canvas. Dimensions: 32 3/4 x 43 in. (83.2 x 109.2 cm) Classification: Paintings. Credit Line: Catharine Lorillard Wolfe Collection, Wolfe Fund, 1938.
