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In the late 70s, Miller collaborated with Motörhead and produced two of their albums, Overkill and Bomber. In 1983, Miller produced Johnny Thunders's In Cold Blood. In 1991, Miller helped produce Primal Scream's breakthrough album Screamadelica. Miller also produced three tracks for the Wedding Present's 1992 compilation Hit Parade 2.
Overkill was co-produced by legendary producer Jimmy Miller, who had previously worked with Traffic and the Rolling Stones, and recorded at Roundhouse Recording Studios and Sound Development Studios in London.
Feb 13, 2020 · The band decided to work with producer Jimmy Miller on the album. An inspired choice? Well, up to a point. “It’s a long time ago now, but if memory serves me, we were given a list of four producers from which to choose – and the only guy on that list I’d ever heard of was Jimmy Miller, because he’d previously worked with the Rolling ...
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Jimmy Miller – producer; Trevor Hallesy – engineer; Darren Burn – mastering; Nigel Brooke-Hartz – mastering; Adrian Chesterman – design; Joe Petagno – Snaggletooth (the Bomber has it painted on the side) 2005 deluxe edition remaster. Nick Watson – mastering; Steve Hammonds – release coordination; Jon Richards – release ...
- Jimmy Miller’s first success came with the Spencer Davis Group, which featured a young Steve Winwood. As Miller explained to Nina Antonia from Record Collector, Chris Blackwell (who was both label chief of Island Records and manager to the Spencer Davis Group) “thought it might work for me to come over and do something with Steve and the Spencer Davis Group on ‘Gimme Some Lovin.’
- That’s Miller, not Charlie Watts, drumming on “You Can’t Always Get What You Want.” “I felt a rhythm figure that everyone liked, but Charlie didn’t feel it.”
- Miller is the man behind the famous cowbell in “Honky Tonk Women.” Musician Gary Wright, who knew Miller before he went over to the U.K., and later worked with him in the vastly underrated Spooky Tooth, recalls that Miller was a great producer and that “if you’d be doing something and it wasn’t quite happening, he’d go out and pick up a cowbell and go out into the studio and whole thing would turn around.”
- In 1968, he and Bill Wyman displayed some real-life heroism and we’re all the better for it. French New Wave director Jean-Luc Godard was at Olympics Studio filming the Stones arranging, rehearsing and recording “Sympathy for the Devil,” for his frustrating film of the same name (originally titled One Plus One).
Oct 24, 1994 · He produced hundreds of albums from the 1960's to the 90's, including several for Blind Faith, the Plasmatics and Motorhead. His most recent hit was Primal Scream's 1991 single "Movin' On Up."...
Mar 24, 2023 · Motörhead worked on the album at Roundhouse studio with producer Jimmy Miller and Lemmy described the experience as “pure joy.” The frontman wrote most of the lyrics, but “Damage Case” was...
