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2. www.guggenheim-bilbao.eus › en › exhibitionsLouise Bourgeois. Structures of Existence: The Cells

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   An exhibition of the artist's Cells, architectural spaces that deal with a range of emotions and reflect on her childhood and memory. Learn about the life and oeuvre of one of the most influential contemporary artists, whose work is closely tied to her personal experiences.

3. www.tate.org.uk › art › artworks‘Cell (Eyes and Mirrors)‘, Louise Bourgeois, 1989–93 | Tate

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   ‘Cell (Eyes and Mirrors)‘, Louise Bourgeois, 1989–93 Skip navigation. Back to menu ... Louise Bourgeois. 1994. Woman in Bathtub Louise Bourgeois. 1994. Empty Nest

4. Videos

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     The Story of: Louise Bourgeois (1911–2010)

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     Louise Bourgeois | HOW TO SEE the artist with MoMA Chief Curator Emerita Deborah Wye

     Nov 29, 2017

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     Louise Bourgeois : Cell (You Better Grow Up), 1993 | Fergus McCaffrey

     Nov 19, 2023

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5. www.guggenheim.org › exhibition › louise-bourgeoisLouise Bourgeois: Structures of Existence; The Cells

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   An exhibition of the Cells series by Louise Bourgeois, a collection of sculptures and objects that evoke her emotional world. The exhibition explores the themes of space, memory, body, architecture, and unconscious in her work.

6. www.sleek-mag.com › article › louise-bourgeoisLouise Bourgeois: The Cells of Her Senses | Sleek Magazine

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   Mar 6, 2015 · Louise Bourgeois, IN AND OUT, 1995 (detail)Metal, glass, plaster, fabric and plastic Cell: 205.7 x 210.8 x 210.8 cm, Plastic: 195 x 170 x 290 cm, collection The Easton Foundation, photo: Christopher Burke, copyright The Easton Foundation / VG Bild-Kunst, Bonn 2015 Having approached a myriad of materials and techniques across several decades Louise Bourgeois (1911 […]

7. www.moma.org › audio › playlistLouise Bourgeois. Spider (Cell). 1997 | MoMA

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   As a young girl, Louise worked in the family business by drawing in the missing parts of the tapestries that had to be rewoven, and usually the bottoms of the tapestries were worn the most. So Louise became an expert of drawing feet. All the cells deal with this idea of memory. Louise had this fear of getting rid of anything.

8. www.tate.org.uk › art › artistsThe Art of Louise Bourgeois | Tate

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   Explore the life and work of Louise Bourgeois, a modern and contemporary artist who used sculpture, installation, drawing and print to express her memories and emotions. Learn about her childhood trauma, opposing forces, spider symbolism, home and more.

9. People also ask

   How many cells did Louise Bourgeois create?

   • In these unique spaces, the artist arranged found objects, clothes, furniture, and sculptures to create emotionally charged, theatrical sets. Including the five precursor works to the Cells that first emerged in 1986 with Articulated Lair, Louise Bourgeois created approximately 60 Cells over the course of her career.

   Louise Bourgeois. Structures of Existence: The Cells

   www.guggenheim-bilbao.eus/en/exhibitions/louise-bourgeois-structures-of-existence-the-cells

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   What does Louise Bourgeois represent in a cell?

   • (She was small and slight.) Louise Bourgeois’s Cells contain a strong emotional and psychological charge. In them, fundamental feelings are represented, including love, hate, frustration, and admiration. This approach allows the artist to reflect on the often ambiguous and contradictory nature of human emotions. The Cells also deal with fear.

   Louise Bourgeois. Structures of Existence: The Cells

   www.guggenheim-bilbao.eus/en/exhibitions/louise-bourgeois-structures-of-existence-the-cells

   See all results for this question

   How big is Louise Bourgeois cell?

   • Left: Louise Bourgeois, Cell (The last climb), 2008. Steel, glass, rubber, thread and wood, 384.8 x 400.1 x 299.7 cm. Collection National Gallery of Canada, Ottawa.

   Louise Bourgeois: The Cells - Domus

   www.domusweb.it/en/news/2015/02/25/louise_bourgeois_the_cells.html

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   How did Louise Bourgeois use the human body?

   • The human body frequently appears in the works of Louise Bourgeois. Often split apart and then put back together, the body is used as a metaphor for our memory, which treats our experiences in an equally fragmented way. Louise Bourgeois began to create her Cells when she was over 70.

   Louise Bourgeois. Structures of Existence: The Cells

   www.guggenheim-bilbao.eus/en/exhibitions/louise-bourgeois-structures-of-existence-the-cells

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   How did Louise Bourgeois relate to the home?

   • Themes of domestic life and the home reoccur throughout Louise Bourgeois’s work. Early works on canvas and paper from the mid-1940s show a female figure trapped inside a small-scale house. While her room-like Cell structures often contain objects associated with the home.

   The Art of Louise Bourgeois | Tate

   www.tate.org.uk/art/artists/louise-bourgeois-2351/art-louise-bourgeois

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   Where did Louise Bourgeois work?

   • Before this she had worked in a townhouse in Chelsea, where the width of the rooms, barely more than four meters, determined for the most part the dimensions of her sculptures. Her new studio in Brooklyn paved the way for large-scale works. Left: Louise Bourgeois, Cell (The last climb), 2008.

   Louise Bourgeois: The Cells - Domus

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10. www.domusweb.it › louise_bourgeois_the_cellsLouise Bourgeois: The Cells - Domus

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    Feb 25, 2015 · If one includes the five precursor works to the Cells that first emerged in 1986 with Articulated Lair, Louise Bourgeois created a total of 60 Cells over the course of her career. Two of these precursors and 30 Cells are presented in Haus der Kunst. The exhibition, planned and organized by Haus der Kunst in