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  1. Nov 24, 2008 · Mike Kelley. By Glenn O'Brien. Photographed by Craig McDean & Madison McGaw/BFA. November 24, 2008. View Full Images. It has been my experience that if a work of art, or a song, or even a person, confuses you at first, maybe pisses you off a little bit, then chances are it’s really, really good. I remember that’s how I felt the first time I ...

  2. Mar 31, 2017 · Mike Kelley's Untitled (Paddle for Artist's Space), 1992 is available here on Artspace. Your titles were a vehicle, in the late 1980s and early 1990s, to add another layer. You have never used “untitled” extensively. I always associate “untitled” with a lack of courage or fear of being overly explicit. As if the artist dosen’t want to ...

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  3. Dec 12, 2022 · In an exclusive interview shot back in 2005 as part of Art21’s series Art in the Twenty-First Century, Kelley spoke about how misunderstandings about his work spurred his creativity, and the ...

  4. Feb 28, 2024 · In this exclusive interview for Flash Art, cult moviemaker John Waters spoke to artist Mike Kelley about a range of topics including the aesthetics of DIY practice, folk culture, and their memories of high school. The talk was recorded in September 2005, in anticipation of Day Is Done (Extracurricular Activity Projective Reconstructions #2–32 ...

  5. Artist Mike Kelley. 1954-2012. Art, politics, Dali, New York art scene, Koons, reading from print work and more. Interviewed by Gerry Fialka. Filmed by Eli E...

    • 105 min
    • 43.4K
    • Elienation
  6. Jan 1, 2013 · http://AbsurdistVideoART.com will upload the entire Mike Kelley interview on Febuary 1st. Here is an excerpt from the interview curated by Gerry Fialka in 20...

    • 3 min
    • 6.7K
    • Elienation
  7. May 21, 2013 · Detroit-born artist Mike Kelley left behind a complex, colorful multimedia body of work–hardly suitable for confined quarters. So when curator Emi Fontana organized “Mike Kelley: Eternity is a Long Time,” in Milan’s HangarBicocca, she took advantage of the massive, industrial space, making it so viewers could experience the full impact of Kelley’s art.

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