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  1. The Heidi Chronicles is a 1988 play by Wendy Wasserstein. [1] . The play won the 1989 Pulitzer Prize for Drama . Production history. A workshop production at Seattle Repertory Theatre was held in April 1988, directed by Daniel J. Sullivan, [2] [3] starring Lizbeth MacKay, Caroline Aaron, and Gretchen Corbett. [4]

    • Wendy Wasserstein
    • 1988
  2. Aug 5, 2020 · Wasserstein herself would later follow Heidi’s example into single motherhood by giving birth to a daughter at the age of 48. Professionally, several plays followed The Heidi Chronicles, including The Sisters Rosensweig (1992), An American Daughter (1997), Old Money (2002), and Third (2005).

  3. Wendy Wasserstein’s play The Heidi Chronicles first opened Off-Broadway with Playwrights Horizons in 1988, transferring to Broadway for a successful run in 1989. The play follows Heidi Holland from the ages of 16 to 40 as she explores her desires for her own life, inspired by the liberation of feminism, but tempered by gendered expectations ...

  4. Jun 17, 2021 · Internet Archive. Language. English. 81 pages : 20 cm. Traces the coming of age of Heidi Holland, a successful art historian, as she tries to find her bearings in a rapidly changing world. Cast: 3 men, 5 women. Pulitzer Prize for Drama, 1990. Tony Award for Best Play, 1990. Access-restricted-item.

  5. Jan 1, 2001 · Wendy Wasserstein. 3.77. 1,952 ratings110 reviews. Comprised of a series of interrelated scenes, the play traces the coming of age of Heidi Holland, a successful art historian, as she tries to find her bearings in a rapidly changing world.

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  7. Wendy Wasserstein’s The Heidi Chronicles is her best-known play. It was first produced Off-Broadway at Playwrights Horizons, December 11, 1988, running for three sold-out months, before moving to the Plymouth Theater on Broadway on March 9, 1989.

  8. About The Heidi Chronicles. The graduating seniors of a Seven Sisters college, trying to decide whether to pattern themselves after Katharine Hepburn or Emily Dickinson. Two young women besieged by the demands of mothers, lovers, and careers—not to mention a highly persistent telephone answering machine—as they struggle to have it all.

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