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1. www.nytimes.com › 1975/11/27 › archivesObsessed 'Romantic Englishwoman' - The New York Times

   www.nytimes.com › 1975/11/27 › archives

   Nov 27, 1975 · This shared, obsessive fretfulness keeps Lewis and Elizabeth in a state of high, apparently pleasurable, sexual tension until Lewis has the had taste to stage-direct their lives to simulate ...

   • DVDs - ‘The Romantic Englishwoman ... - The New York Times

     Joseph Losey’s “Romantic Englishwoman” (1975), newly...

   • Book Review: ‘The Romantic,’ by William Boyd - The New York Times

     William Boyd’s new book follows one man from childhood to...

2. www.rottentomatoes.com › m › romantic_englishwomanThe Romantic Englishwoman | Rotten Tomatoes

   www.rottentomatoes.com › m › romantic_englishwoman

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   Lewis (Michael Caine), an English novelist with writer's block, suspects his wife, Elizabeth (Glenda Jackson), is having an affair when she goes alone on a vacation to Europe. His suspicions are...

   • 80% (5)
   • Director: Joseph Losey

   • Content Rating: R
   • Actors: Glenda Jackson

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     The Romantic Englishwoman (1975.) Glenda Jackson, Michael Caine, Helmut Berger

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4. jonathanrosenbaum.net › 2023 › 06THE ROMANTIC ENGLISHWOMAN (1975 review) - Jonathan Rosenbaum

   jonathanrosenbaum.net › 2023 › 06

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   Romantic Englishwoman, The. Great Britain/France, 1975 Director: Joseph Losey. Elizabeth Fielding arrives in Baden Baden on holiday; on the. same train is Thomas Hursa, carrying a supply of drugs, which he. hides on the roof of the luxury hotel where Elizabeth is staying.

5. www.rottentomatoes.com › m › romantic_englishwomanThe Romantic Englishwoman - Movie Reviews | Rotten Tomatoes

   www.rottentomatoes.com › m › romantic_englishwoman

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   Disappointing but easy to watch sly comedy that skewers real-life love and pulp fiction romance as both products of fiction. Full Review | Original Score: B- | Feb 28, 2012. Rotten Tomatoes,...

6. People also ask

   Where can I watch the Romantic Englishwoman?

   • Rent The Romantic Englishwoman on Prime Video, or buy it on Prime Video. Lewis (Michael Caine), an English novelist with writer's block, suspects his wife, Elizabeth (Glenda Jackson), is having an affair when she goes alone on a vacation to Europe.

   The Romantic Englishwoman | Rotten Tomatoes

   www.rottentomatoes.com/m/romantic_englishwoman

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   Does Romantic Englishwoman really matter?

   • Romantic Englishwoman itself rises above such nonsense. stereotyped than the supposed fantasies. And the figure matter indeed. Losey’s style has always tended towards a depended on psychological demonstrations. The Romantic mirror images registers principally as window dressing. What professes to expose and despise.

   THE ROMANTIC ENGLISHWOMAN (1975 review) | Jonathan Rosenbaum

   jonathanrosenbaum.net/2023/06/the-romantic-englishwoman-1975-review/

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   Is romanticism still relevant?

   • Most subsequent fiction is heavily in their debt. Yet the precepts of Romanticism have remained strangely durable, perhaps because capitalist modernity is so closely tied to the idea of individual destiny. Even very late in “The Romantic,” Cashel is still jotting down questions in search of himself.

   Book Review: ‘The Romantic,’ by William Boyd - The New York Times

   www.nytimes.com/2023/08/13/books/review/william-boyd-romantic.html

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   When did the Romantics take their time coming?

   • THE ROMANTIC, by William Boyd The Romantics took their time coming. For 10 centuries in the West there was only God, and all art — the beautifully illuminated breviaries, the vast cathedrals — was about him. Then, at last, around 1300 (in Dante, above all), the human face reappeared in the arts, the human as more than servant of king and Christ.

   Book Review: ‘The Romantic,’ by William Boyd - The New York Times

   www.nytimes.com/2023/08/13/books/review/william-boyd-romantic.html

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7. parallax-view.org › 2013/04/08 › review-the-romanticReview: The Romantic Englishwoman - Parallax View

   parallax-view.org › 2013/04/08 › review-the-romantic

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   Apr 8, 2013 · The Romantic Englishwoman affords an unexceptionably witty and civilized film experience from the first shivery glimpse of Glenda Jackson’s double reflection over the passing wintry German landscape to the last of the end credits: “A British–French Co-production”.