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List. Prime Video Max. Watch Three Colors: Red with a subscription on Max, rent on Prime Video, or buy on Prime Video. A complex, stirring, and beautifully realized portrait of interconnected...
- Red Pictures
Three Colors: Red Pictures and Photo Gallery -- Check out...
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Three Colours: Red is the trilogy’s anti-romance, depicting...
- Red Pictures
Mar 9, 2003 · In the trilogy, "Blue" is the anti-tragedy, "White" is the anti-comedy, and "Red" is the anti-romance. All three films hook us with immediate narrative interest. They are metaphysical through example, not theory: Kieslowski tells the parable but doesn't preach the lesson.
Nov 23, 1994 · Red is the best of the lot: warmer, more accessible, unusually generous toward its characters. A mystical tale of chance encounters and unexpected connections, Red uses a traffic accident as a springboard to discovery.
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- Krzysztof Kieslowski
- R
- “Three Colors: Blue”
- “Three Colors: White”
- “Three Colors: Red”
- The Coda
If the automobile crash in the first scene of “Blue” and the ferry sinking in the last scene of “Red” (alas, not the only Kieślowski film to end with a public transportation disaster) cleanly bookend the “Three Colors” trilogy into a single cohesive piece, each of these movies is effective as its own self-contained piece. That remains especially tr...
Unless, perhaps, they have nothing to lose. Arguably the best movie ever made about the consequences of a trip to Ikea — sorry “(500) Days of Summer” — “Three Colors: White” adds a globalistic texture to Kieślowski’s project by telling the story of a hapless loser named Karol Karol (Zbigniew Zamachowski, looking like a doughy Jean Gabin) who celebr...
If “White” finds that self-interest can hide love, “Three Colors: Red” argues that altruism can disguise self-interest. The most intricately plotted chapter of the trilogy, as well as the one that most deepens its mysteries, Kieślowski’s last film tells a knotted story about the unusual friendship that forms between a part-time model who’s paid to ...
The genius of the coda that Kieślowski and Piesiewicz invent for “Red,” and by extension the entire “Three Colors” trilogy, is that it somehow choreographs an honest emotional gut-punch from a choppy sea of ambivalence. Joseph, already paranoid that Valentine might drown in the same waters that claimed his one true love several decades before, watc...
Red, the final chapter of Krzysztof Kieslowski's Three Colors trilogy, is a subtle masterpiece. With its satisfying exploration of such complex and diverse themes as destiny and platonic love, Red is not only a self-contained motion picture, but a fitting conclusion to the series.
Apr 13, 2023 · Kieślowski’s commitment to a relentless visual dynamism in Red makes it easy to see why the trilogy’s climax is so celebrated. Red is the ultimate expression of what he understood better than any other filmmaker of his generation.
