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Nicholas Christopher, Somewhere in the Night (1997) While many critics refer to film noir as a genre itself, others argue that it can be no such thing. Foster Hirsch defines a genre as determined by "conventions of narrative structure, characterization, theme, and visual design." Hirsch, as one who has taken the position that film noir is a genre, argues that these elements are present "in ...
- Italian Neorealism
Italian neorealism (Italian: Neorealismo), also known as the...
- German Expressionism
Expressionism is a modernist movement, initially in poetry...
- Robert Siodmak
Early life. Siodmak was born in Dresden, Germany, the son of...
- Stranger on The Third Floor
Stranger on the Third Floor is a 1940 American film noir...
- The Big Combo
The Big Combo is a 1955 American crime film noir directed by...
- Italian Neorealism
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
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Ann Hamilton, a young woman from a middle class family, meets wealthy businessman Alan Garroway when he comes to visit her scientist father. Ann and Alan soon fall in love and get married. In the days following their marriage, Ann meets Alan's high society friends. Mrs. Foster, Alan's neighbor, mentions Alan's brother Michael. When Ann asks him abo...
Undercurrent was only director Vincente Minnelli's second dramatic film, the first being The Clock, which starred his wife at the time, Judy Garland. Minnelli's specialty was in directing the kind of glossy musicals that M-G-M's Arthur Freed unit turned out. Because he trusted producer Pandro S. Berman's judgement in regard to the film's star, Kath...
Critical response
Variety magazine lauded the film and wrote, "Undercurrent is heavy drama with femmeappeal...Hepburn sells her role with usual finesse and talent. Robert Mitchum, as the missing brother, has only three scenes, but makes them count for importance." Critic Bosley Crowther of The New York Times also liked the film and wrote, "However, that is Undercurrent-—and you must take it upon its own terms, which are those of theatrical dogmatism, if you hope to endure it at all. If you do, you may find it...
Box office
The film was popular at the box office; according to MGM records, it earned $2,828,000 in the US and Canada and $1,409,000 elsewhere, resulting in a profit of $1,001,000. Varietysaid it grossed $3.25 million in 1946.
Lux Radio Theatre aired a one-hour radio adaptation of the film on October 6, 1947, with Katharine Hepburn and Robert Taylor reprising their roles. It aired a second adaptation on November 30, 1953, this time with Joan Fontaine and Mel Ferrerin the lead roles.
Undercurrent at the American Film Institute CatalogUndercurrent at IMDbUndercurrent at the TCM Movie DatabaseUndercurrent at AllMovie2 days ago · Sunset Boulevard (1950)98%. #5. Critics Consensus: Arguably the greatest movie about Hollywood, Billy Wilder's masterpiece Sunset Boulevard is a tremendously entertaining combination of noir, black comedy, and character study. Synopsis: An aging silent film queen refuses to accept that her stardom has ended.
Jun 27, 2021 · Film noir is a stylized genre of film marked by pessimism, fatalism, and cynicism. The term was originally used in France after WWII, to describe American thriller or detective films in the 1940s and 50s. Though, Hollywood’s film noir stretches back to the 1920s.
Apr 29, 2024 · A Brief History of Film Noir. From 1944 through the late 1950s, movies like The Maltese Falcon (based on a novel by Dashiell Hammett), Laura (based on a novel by Vera Caspary), Murder, My Sweet (based on a novel by Raymond Chandler), and Double Indemnity (based on a novel by James M. Cain) were crime films that began to take the place of Westerns in Hollywood.
Apr 29, 2024 · 2. Double Indemnity (1944) 1. Sunset Boulevard (1950) Show 5 more items. The genre enjoyed its height during the 1940s and ’50s. Since then, film noir has fallen out of fashion, and while modern ...
