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      • Webern’s expressionism, while aphoristic and pointillistic, is distinguished by extraordinary sensitivity of diction and colouring, encompassing the gamut from atmospheric suspense to explosive vehemence.
      www.britannica.com › biography › Anton-Webern
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  2. Webern’s expressionism, while aphoristic and pointillistic, is distinguished by extraordinary sensitivity of diction and colouring, encompassing the gamut from atmospheric suspense to explosive vehemence.

  3. en.wikipedia.org › wiki › Anton_WebernAnton Webern - Wikipedia

    Webern was arguably the first and certainly the last of the three to write music in an aphoristic, expressionist style, reflecting his instincts and the idiosyncrasy of his compositional process. During and after World War I, he set folk, lyric, and spiritual texts in texturally dense Lieder.

  4. The three central figures of musical expressionism are Arnold Schoenberg (1874–1951) and his pupils, Anton Webern (1883–1945) and Alban Berg (1885–1935), the so-called Second Viennese School.

  5. Sep 23, 2022 · German-born composer Arnold Schoenberg was known for embracing the musical aesthetic by incorporating new types of compositional techniques in his music. He is known as the "father of musical Expressionism" along with his two students Anton Webern and Alban Berg.

  6. Expressionism as a musical genre is difficult to exactly define. It is, however, one of the most important movements of 20th Century music. The three central figures of musical expressionism are Arnold Schoenberg and his pupils, Anton Webern and Alban Berg, the so-called Second Viennese School.

  7. Jan 6, 2015 · Anton Webern was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student, significant follower of, and influence on Arnold Schoenberg, he became one of the best-known exponents of the twelve-tone technique.

  8. The resonant sound waves made by Alban Berg, Anton Webern, and Arnold Schoenberg continue reverberating through music history’s corridors. Their contributions to atonality, expressionism, structural innovation, and dodecaphonic technique changed the course of music forever.

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