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Battista Sforza (1446 – 6 or 7 July 1472) was the Duchess of Urbino in 1460-1472 as the second wife of Federico da Montefeltro. She acted as regent during her husband's absences from Urbino.
Inventory. 1890 nn. 1615, 3342. One of the most celebrated portraits of the Italian Renaissance, the diptych features the Duke of Urbino, Federico da Montefeltro (1422-1482) and his wife Battista Sforza (1446-1472). In the tradition of the fourteenth century, inspired by the design of ancient coins, the two figures are shown in profile, an ...
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Who was Battista Sforza?
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Did Duke Federico marry Battista Sforza?
We're in the Ufizzi looking at two portraits that were once joined as a diptych. So they would have been connected by a hinge. This is the Duke and Duchess of Urbino – Federico da Montefeltro and Battista Sforza. She had just died and this was a commemorative portrait this is a way that he could remember his his wife.
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- Beth Harris,Steven Zucker
Oct 8, 2020 · Piero della Francesca (c. 1420-1492 CE) was an Italian Renaissance artist whose paintings and frescoes are characterised by their solid figures, bright colours, and harmonious composition. His masterpieces include the painted panel the Flagellation of Christ, which was created c. 1455 CE for the Ducal Palace of Urbino, and his striking portrait ...
- Mark Cartwright
Battista Sforza, c. 1472. 6. or 7. July 1472. her half-sister Ginevra (1440-1507); her first husband was Sante Bentivoglio (1426-1463), Lord of Bologna, they married in 1452; her second husband was Giovanni II. Bentivoglio (1443-1508), Lord of Bologna, they married in 1464. Federigo da Montefeltro (1422-1482), Duke of Urbino since 23.
Jan 25, 2023 · Piero della Francesca, one of the most original and enlightened artists of the early Italian Renaissance, introduced space, brilliance, and extraordinary finesse to painting. Furthermore, he invented the function of the contemporary artist by becoming a courtier, a traveler, a geometrician, a patron, and many other things.
He is mentioned as a painter as early as 1432, associated with Antonio d'Anghiari, who was probably his first teacher. Aside from this connection, [1] nothing is known about his training. But the art of Piero della Francesca--who develops to poetic heights the subtle use of perspectival representation proposed in works of Domenico Veneziano, [2 ...