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      • The advent of radio in the 1920s greatly increased the audience for gospel music. Following World War II, gospel music moved into major auditoriums, and gospel music concerts became quite elaborate.
      en.wikipedia.org › wiki › Gospel_music
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  2. 3 days ago · White gospel music emerged from the intersection in the19th and early 20th centuries of various European American musical traditions, including Protestant Christian hymnody, revival-meeting spirituals, and assorted popular styles. This musical combination yielded a form that—despite many developments—has maintained some distinct qualities.

  3. Black Gospel music has been traditionally concerned with the African-American quest for freedom. It has provided both "spiritual and communal uplift," first in the fields, and later in the Black Church ; during the 1960s era in the South, it was described as the "soundtrack of the struggle for civil rights ," helping create unity and faith for ...

  4. When Gospel Music Sparked a ‘Worship War’ | Christianity Today. How the Great Migration changed music in the black church forever. Kathryn Kemp December 7, 2018. Image: Public Domain. In the...

  5. The 1920s. Glory! Hallelujah. (Mother McCollum, circa 1928) The simple instrumentation of the banjo is related to the jubilee era & even the origins of blues at the time. This song brought me back to Black History Sunday at my home church where the choir sung entirely spirituals such as this one. Video unavailable. Watch on YouTube. The 1930s.

  6. en.wikipedia.org › wiki › Gospel_musicGospel music - Wikipedia

    The original gospel songs were written and composed by authors such as George F. Root, Philip Bliss, Charles H. Gabriel, William Howard Doane, and Fanny Crosby. [3] Gospel music publishing houses emerged. The advent of radio in the 1920s greatly increased the audience for gospel music.

  7. Sep 19, 2023 · African-American gospel, also known as urban contemporary gospel and Black gospel, emerged around 1920 from a cocktail of hymns, spirituals, shout songs, and Black jubilee songs, with a heavy reliance on the harmonic and rhythmic influences from jazz and blues.

  8. During the 1930s, in Chicago, Thomas A. Dorsey (best known as author of “Precious Lord, Take My Hand”), who had spent the 1920s writing secular music, turned full-time to Gospel Music. He established a publishing house and is credited with inventing the black gospel style of piano music.

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