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  1. Aug 26, 2004 · Susan Orlean: “[‘The Orchid Thief’] was an incredibly difficult book to make into a movie for all the reasons that Charlie in the movie complains about.” (Staff photo Stephanie Mitchell/Harvard News Office) If ever a book-based film inspired questions of the original author, it is “Adaptation,” the sideways interpretation of Susan Orlean’s 1998 nonfiction book “The Orchid Thief.”

    • Did Susan Orlean Develop A Sexual Relationship with John Laroche in Real Life?
    • Have Any of Susan's Subjects Ever Fallen For her?
    • Does Susan Orlean Make An Appearance in The Movie Adaptation?
    • Does Charlie Kaufman Really Have A Brother Named Donald?

    No, the true story reveals that in real life Susan Orlean did not develop any sort of intimate relationship with the orchid thief, John Laroche. In interviews she has explained that a unique relationship does develop due to the often lengthy period of constant contact with the subject, but she never lets such relationships turn sexual.

    In an interview Susan said that this has happened, but that she never lets things advance. Orlean said that its easy for subjects to fall for writers who are doing a story on them, because as a writer you give your subjects a great deal of attention, and they often respond to someone so interested in their lives.

    The real Susan Orlean did shoot a supermarket scene with Nicolas Cage, but it was cut from the final edit of the film.

    No, there is no Donald Kaufman. He is a fictional character for the film created by Adaptationscreenwriter Charlie Kaufman. On January 21, 2003, Susan Orlean sat down with Chicago area radio talk show host John Williams to discuss her, at the time, new book, The Orchid Thief. Susan talks about going to awards shows for the movie Adaptation and seei...

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    • Don’t Adapt What You Don’t Have the Rights To. The obvious first step in adapting books or short stories into screenplays is first acquiring the rights to be able to do so.
    • Find the Cinematic Elements of the Story. This is the most vital step to any great adaptation. Adapting a book into a screenplay isn't just about taking paragraph after paragraph, character after character, and chapter after chapter and translating them into screenplay format.
    • Find the Core Beats of the Story and Characters. You can’t include everything. You only have two hours (90–120 pages) to tell the story. And you have to do so in a way that people who haven't read the book can understand and be engaged by the story and characters featured within the adaptation.
    • Merge or Delete Secondary Characters. You can't fit everything and everyone in there for most adaptations. Books give readers the chance to stay with characters longer.
  3. Mar 2, 2024 · Adaptation. (2002) Plot Summary & Movie Synopsis: Charles Kaufman, the scriptwriter of “Being John Malkovich,” is tasked with adapting Susan Orlean’s “The Orchid Thief.”. Undramatic, still, and solely flower-centric, “The Orchid Thief” may well have presented a challenge to any other film writer to adapt as it is without any ...

  4. Sep 18, 2008 · Charlie Kaufman 's screenplay for "Adaptation." (2002) has it three ways. It is wickedly playful in its construction, it gets the story told, and it doubles back and kids itself. There is also the sense that to some degree it's true: that it records the torments of a screenwriter who doesn't know how the hell to write a movie about orchids.

  5. Jan 21, 2020 · This speech is a brilliant distillation of the kind of oppression women faced in 1800s America, and I think Gerwig puts in these lines as much for the modern-day audience as for Laurie, who listens to Amy say them in the scene. Although Amy doesn’t say this speech in the book, the words certainly make sense coming from her mouth.

  6. Despite Adaptation’s seeming openness and experimentalism, its seeming difference from most all feature films, the movie reminds us just how deceptive movie possibility can be. There’s ultimately a kind of a sucker punch to Kaufman’s decision in the end—just so he, the screenwriter, can sleep—to turn his beloved Susan Orlean into a ...

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