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Mendoza-Nava was born in La Paz, Bolivia. He studied at The Juilliard School and Madrid Royal Conservatory, the Sorbonne, and with Nadia Boulanger. He won the Madrid Conservatory's First Prize in 1950, completing the five-year program in a year's time. Eventually, he was on the staff of Walt Disney Studios and his works were recorded by MGM ...
Composiciones para Cine Géneros musicales Mendoza-Nava compone para los géneros cinematográficos tan variados como son la Comedia, el Western, el Drama, Películas de Acción y Gangters, Películas de Misterio, Películas de Guerra, Películas de Terror, Películas de aventura, Películas de animales y Películas de la Naturaleza.
Jaime Mendoza-Nava. Sound Department: L.A. Streetfighters. Jaime Mendoza-Nava was born on December 1, 1925, in La Paz, Bolivia, where he received his early musical training. Recognized as a child prodigy, he quickly won the admiration and respect of audiences and musicians alike with his unique compositions and orchestrations.
- Composer, Music Department, Sound Department
- December 1, 1925
- Jaime Mendoza-Nava
- May 31, 2005
Mendoza-Nava immigrated to Los Angeles in 1953 and soon went to work for Disney, where he composed music for 1950s television series including “The Mickey Mouse Club” and “Zorro.”
El compositor y pianista boliviano Jaime Mendoza-Nava nace en La Paz Bolivia, un primero de Diciembre de 1925, donde inicia sus estudios musicales con los Maestros Fischer, Humberto Viscarra Monje y Hugo Landesmann. Jaime Mendoza Nava. A los once años, como anécdota, organiza una orquesta infantil, dirigiéndola en diferentes ocasiones.
Jaime Mendoza-Nava. Sound Department: L.A. Streetfighters. Jaime Mendoza-Nava was born on December 1, 1925, in La Paz, Bolivia, where he received his early musical training. Recognized as a child prodigy, he quickly won the admiration and respect of audiences and musicians alike with his unique compositions and orchestrations. At the young age of seven, he led a memorable concert that raised ...
Jaime Mendoza-Nava (1925-2005) was an important Bolivian composer. In addition to writing music for the concert stage, he worked as a composer of film music in Los Angeles during the second half of the twentieth century. His life and work remain greatly unstudied, with the majority of his compositions existing only in manuscript form. The
