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  1. Much of his music is inspired by the pentatonic music of the Andes . In Hollywood, he also had several credits as a sound editor . He died in Los Angeles, California, on May 31, 2005. Mendoza-Nava's grandson, Nic Mendoza (born April 4, 1989), is a music and multimedia producer. [1]

  2. Géneros musicales. Mendoza-Navacompone para los géneros cinematográficos tan variados como son la Comedia, el Western, el Drama, Películas de Acción y Gangters, Películas de Misterio, Películas de Guerra, Películas de Terror, Películas de aventura, Películas de animales y Películas de la Naturaleza.

  3. Biografía. El compositor y pianista boliviano Jaime Mendoza-Nava nace en La Paz Bolivia, un primero de Diciembre de 1925, donde inicia sus estudios musicales con los Maestros Fischer, Humberto Viscarra Monje y Hugo Landesmann. A los once años, como anécdota, organiza una orquesta infantil, dirigiéndola en diferentes ocasiones.

  4. Jaime Mendoza-Nava. Sound Department: L.A. Streetfighters. Jaime Mendoza-Nava was born on December 1, 1925, in La Paz, Bolivia, where he received his early musical training. Recognized as a child prodigy, he quickly won the admiration and respect of audiences and musicians alike with his unique compositions and orchestrations.

    • Composer, Music Department, Sound Department
    • December 1, 1925
    • Jaime Mendoza-Nava
    • May 31, 2005
  5. By Myrna Oliver. June 16, 2005 12 AM PT. Times Staff Writer. Jaime Mendoza-Nava, a classically trained musician who composed for such diverse projects as Walt Disney’s “The Mickey Mouse Club...

  6. Jaime Mendoza-Nava was born on December 1, 1925, in La Paz, Bolivia, where he received his early musical training. Recognized as a child prodigy, he quickly won the admiration and respect of audiences and musicians alike with his unique compositions and orchestrations.

  7. Jaime Mendoza-Nava (1925-2005) was an important Bolivian composer. In addition to writing music for the concert stage, he worked as a composer of film music in Los Angeles during the second half of the twentieth century. His life and work remain greatly unstudied, with the majority of his compositions existing only in manuscript form. The

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