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  1. Lord of Illusions

    Lord of Illusions

    R1995 · Horror · 1h 48m

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  2. Aug 25, 1995 · Written and Directed by. Clive Barker. Swann, the anti-hero of Clive Barker's "Lord of Illusions," is a master magician in the style of David Copperfield; audiences attending his performances on Hollywood Boulevard arrive in tuxedos, which is a dangerous trick in itself.

  3. Lord of Illusions may come as something of a disappointment in the context of writer-director Clive Barker's best work, but genre fans should be reasonably diverted. Read Critics Reviews....

    • (356)
    • Clive Barker
    • R
    • Scott Bakula
  4. Aug 25, 1995 · R. 1h 49m. IMDb RATING. 6.0 /10. 19K. YOUR RATING. Rate. Horror Mystery Thriller. A private detective gets more than he bargains for when he encounters Philip Swan, a performer whose amazing illusions captivate the world, but they are not really what everyone thinks.

    • (19K)
    • Horror, Mystery, Thriller
    • Clive Barker
    • 1995-08-25
  5. Full Review | Original Score: 3/5 | Jul 26, 2002. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. The definitive site for Reviews,...

  6. Aug 9, 2014 · In true Bakula style he never seems to take himself too seriously, which as a PI with a fondness for the paranormal, seems fitting. Scott Bakula thus establishes a likable and genuine character, breathing life into D’Amour. Famke Janssen lends Dorothea a quiet, introspective demeanor, emulating Faye Dunaway’s Evelyn Mulwray.

  7. Thankfully Barker uses every excuse to show off Bakula's great physique. I enjoyed Famke Janssen as Dorothea, who also serves as the love interest. 'Lord of Illusions' is a great blend of action, adventure, horror and mystery, with a good climax. This is one of my all-time favourite horror movies.

  8. Jan 19, 2015 · Ultimately Lord of Illusions does do more right than it does wrong, and here in its director’s cut, it is even more right. It has rightly become a strong contender for cultdom and is perhaps Barker’s second best film.

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