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      Artistic style that predominated in Italy

      • Mannerism, (from maniera, “manner,” or “style”), artistic style that predominated in Italy from the end of the High Renaissance in the 1520s to the beginnings of the Baroque style around 1590. The Mannerist style originated in Florence and Rome and spread to northern Italy and, ultimately, to much of central and northern Europe.
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  2. Apr 29, 2024 · Mannerism, (from maniera, “manner,” or “style”), artistic style that predominated in Italy from the end of the High Renaissance in the 1520s to the beginnings of the Baroque style around 1590. The Mannerist style originated in Florence and Rome and spread to northern Italy and, ultimately, to much of central and northern Europe.

  3. en.wikipedia.org › wiki › MannerismMannerism - Wikipedia

    Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.

  4. Dec 6, 2023 · Today, the English term “mannerism” is used to broadly designate 16th-century art throughout Europe (and even in places like the Americas in the 16th and 17th centuries) that is conspicuously artificial, often emotionally provocative, and designed to impress.

  5. Mannerism is commonly defined as a “stylish style” in art, emphasising artificiality, artistic expression, to deliberately develop elegant and stylised creative works, over literal depictions of the figure. Vasari wrote about “maniera” in relation to the works of Michelangelo and Raphael.

  6. Mar 13, 2021 · Mannerism: A style of art developed at the end of the High Renaissance, characterized by the deliberate distortion and exaggeration of perspective, especially the elongation of figures. Mannerism It began around 1520 and lasted until about 1580 in Italy, when a more Baroque style began to be favored.

  7. Today, the English term “mannerism” is used to broadly designate 16th-century art throughout Europe (and even in places like the Americas in the 16th and 17th centuries) that is conspicuously artificial, often emotionally provocative, and designed to impress.

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