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Wide Eye Films (WEF) emerged on the scene in the early 2000s, a brainchild of the dynamic duo - award-winning producer Nathalie Lichtenthaeler and writer/director David Gleeson. At WEF, our core mission is to craft exceptional films that not only captivate audiences but also carry a distinct European flair.
A wonderful assistant at Lionsgate, Dana Digiacinto, reached out to us for a 45-page pitch deck for this new series. After the pitch, the Producers passed along the best compliment you can receive now. They said the studio’s reaction was, “Wow, …looks good enough to be a Netflix show!”. Creative Director: Aaron Davis | Contact.
Sep 3, 2006 · HOURS after I meet Nathalie Lichtenthaeler, someone asks me if she had mentioned having her third child while trying to raise funding for her second feature film. She hadn't. In retrospect, though ...
Sep 2, 2006 · They have impressively glamorous professions: Gleeson is a director and writer of feature films; Lichtenthaeler is his producer. And, most importantly, they have, to use a phrase popular in ...
WIDE EYE FILMS is the production company of producer Nathalie Lichtenthaeler and award winning director David Gleeson. The company produces and co-produces feature films for domestic and international release. WIDE EYE FILMS’ credits include the critically acclaimed, COWBOYS & ANGELS, THE FRONT LINE by David Gleeson, VASHA by Hannu Salonen ...
Film Producer, Founder Words Across Europe · With a career spanning over two decades in the European and US film industry, Nathalie Lichtenthaeler, originally from Germany, is a prolific producer recognized for her award-winning feature films. She brings a profound understanding and appreciation of all facets of film and TV production, with a particular focus on script development. Her love ...
- Wide Eye Films
We got an interview today with both Nathalie Lichtenthaeler and David Gleeson of Wide Eye Films, they are producer and director, respectively, of Cowboys and Angels and The Frontline. We're coming towards the end of filming on the documentary, wrapping up interviews in Ireland before we start into the long haul of post production, hopefully we ...
