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  2. Philippines. Language. Filipino. Box office. ₱543 million [1] Miracle in Cell No. 7 is a 2019 Filipino drama film directed by Nuel Crisostomo Naval and starring Aga Muhlach, Xia Vigor and Bela Padilla. The film is based on the 2013 South Korean film of the same name directed by Lee Hwan-kyung. [2] The film revolves around Lito ( Aga Muhlach ...

  3. (1) It happened in the days of Ahasuerus—that Ahasuerus who reigned over a hundred and twenty-seven provinces from India to Nubia [or Ethiopia]. (2) In those days, when King Ahasuerus occupied the royal throne in the fortress Shushan, (3) in the third year of his reign, he gave a banquet for all the officials and courtiers—the administration of Persia and Media, the nobles and the ...

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  5. Mar 19, 2019 · Vashti’s Refusal. After throwing a 180-day long banquet for his officials and ministers, plus the assembled armies and nobility of Persia and Media (1:3–4), King Ahasuerus holds a seven-day banquet for all the men living in Shushan (Susa), rich and poor (1:5). At the same time, Queen Vashti is also giving a separate banquet for the women.

  6. “Queen Vashti refused to come before King Ahasuerus, whereupon he flew into a rage.” (Esther 1:12) The trap has closed around Vashti with terrible finality: If Vashti obeys the summons, the rightful queen will become a laughingstock to every man and woman in Persia. If she refuses, the king can spin her naysaying into a crime of treason.

  7. Feb 7, 2019 · According to the midrash , Vashti (ושתי) was the great-granddaughter of King Nebuchadnezzar II of Babylon and the daughter of King Belshazzar, making her a Babylonian. As a supposed descendant of the destroyer (Nebuchadnezzar II) of the First Temple in 586 BCE, Vashti was doomed in the Talmud by the sages of Babylon as evil and sinister ...

  8. Jan 1, 2018 · Overview. Vashti, the Queen of Persia, loses her crown when she refuses to appear at a drunken council meeting wearing only her crown and nothing else. Her act of feminist resistance is echoed through the ages, culminating with the #MeToo movement of 2018. Candy Kugel. Director.

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